predecessors and for the first time put the subject on a scientific footing, he made certain basic errors which have remained uncorrected and have hardened into an orthodoxy that few have been prepared to challenge.
In the first place, though the Yunjing and later rhyme tables in the same tradition refer to the Qieyun, their classification in terms of the Thirty-six Initials, the Four Grades (deng
), and the Sixteen Rhyme Groups (she
) was based on a form of standard Chinese that was both later in time and different in its dialect base. The two forms of Middle Chinese need to be reconstructed separately. When one realizes this, one can make better sense of the rhyme table categories. In particular it becomes clear that Karlgren's basic assumption about the meaning of the Four Grades was incorrect. Grade III was not, as he thought, characterized by a palatal glide. Rather, Grades III and IV together had high front vowels i (kaikou) and y (hekou), making a primary binary contrast with Grades I and II together. Further discrimination between Grade II and Grade I and between Grade IV and Grade III was provided by the presence of a palatal glide immediately after certain classes of initials in Grades II and IV. We can thus see that, for the inventors of the rhyme tables, the Grades were a genuine phonological scale, easily ostensible in the current language, representing degrees of palatalization, just as kaikou "open mouth" and hekou "closed mouth" represented the feature of labiali- zation. If we accept Karlgren's system, this feature of the rhyme tables is not based on any coherent principle, and we have to assume that it was just an ingenious, but phonologically meaningless, means of displaying the distinc- tions of the rhyme dictionary in the form of a table. I published a first reconstruction of the rhyme table language, which I call Late Middle Chinese (LMC) on this basis in 1970-71.
Though the rhyme table language and the Qieyun represent different dia- lects that are not in the same direct line, they go back to a common ancestor, and, in general, their phonological categories are compatible. A correct understanding of LMC is therefore an essential first step to the reconstruction of the earlier standard underlying the Qieyun, which I call Early Middle Chinese (EMC). My first tentatives at reconstructing EMC were made in a paper read at the Third International Conference on Sino-Tibetan Languages at Cornell University in the fall of 1970. The present monograph offers both a considerably refined version of LMC and my first detailed presentation of EMC.
Chapters 1 and 2 are introductory. Chapter 1 sets the stage with a general survey of the history of what has constituted standard Chinese at various periods and a discussion of the distinctive feature theory that I have used for setting up the various synchronic stages and for analysing the diachronic
-xiv-
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Publication Information: Book Title: Middle Chinese: A Study in Historical Phonology. Contributors: E. G. Pulleyblank - author. Publisher: University of British Columbia Press. Place of Publication: Vancouver, B.C.. Publication Year: 1984. Page Number: xiv.
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