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Alice Walker's Womanist Magic: The
Conjure Woman as Rhetor

Catherine A. Colton

The Color Purple has been a much-discussed novel since its publication in 1982.
In this essay, I will examine it as a rhetorical work, that is, as an illustration of
language aimed to effect change in the minds of readers and/or in the world.
Drawing in part on the African American traditions of voodoo and conjure and their
reliance on the power of language to invoke change, Alice Walker creates Celie,
conjure woman and rhetor par excellence. Celie story raises consciousness, opens
up new possibilities for building communities, and argues for a womanist version
of justice. These are all acts of rhetoric.

Voodoo is a religious system born of the contact between the religion
Africans brought as slaves to Haiti and the Roman Catholicism that their masters
attempted to impose. Since these Africans came from different countries and
cultures, their religious beliefs varied; when brought together in Haiti, however,
those elements held in common were highlighted in the adapted religion
( Courlander26). Key elements of African religions are beliefs in a spirit-infused
natural world, reverence for spirits of ancestors, and a perceived unity between the
spiritual and physical worlds. Magic--inhering in people's ability to make good or
ill use of their connections with the spiritual world--is a part of this religion. The
practice of voodoo was a way for displaced Africans in Haiti to maintain some of
their own traditions, develop a sense of community, and organize a network
between slaves on different plantations. In 1804, Haiti achieved its independence
from France. Laguerre writes that "while voodoo was not the only factor in the
success of this revolution, it was partially confidence in Voodoo loas [spirits], the
political instructions of their followers and the unifying effect of this belief" that led
to political independence (66).

In the United States, the religious/magical traditions of voodoo and
conjuring were also used to preserve and pass down African cultural beliefs and
traditions, to resist oppressors, and to maintain order in the community. Historian
John Blassingame writes:

Because of their superstitions and beliefs in fortune tellers, witches, magic and conjurers,
many of the slaves constructed a psychological defense against total dependence on and
submission to their masters. Whatever his power, the master was a puny man compared to

-33-

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Publication Information: Book Title: Critical Essays on Alice Walker. Contributors: Ikenna Dieke - editor. Publisher: Greenwood Press. Place of Publication: Westport, CT. Publication Year: 1999. Page Number: 33.
    
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