tarin took off his enormous hunting boots at the portal of the mosques and advanced into the sanctuary, grave, solemn, and . . . in colored socks! Ah, he believed in the Orient, with its muez- zins and dancing-girls, its lions, panthers, and dromedaries, in all the marvelous stories that his books had given him, stories that his southern imagination had magnified a hundredfold. I, faithful as the camel in my story, followed him in his heroic dream; but now and then I doubted a little." His doubts, how- ever, did not prevent him, an hour later, from lying in wait for lions that never came, just as Tartarin does in the book. Tartarin de Tarascon first appeared in le Petit Moniteur, a Paris newspaper. "Its failure was complete. Le Petit Moniteur was a popular sheet, and the masses do not understand printed irony, which bewilders them, and makes them think you are taking them for a pack of fools. Words cannot describe the disappointment of the subscribers of that penny paper upon read- ing the first chapters of Tartarin's life. . . After some ten install- ments had come out, I had pity on the editor, and took Tartarin to the Figaro, whose readers understood it better. . . Finally the book was published, and took fairly well . . .," a rather mod- est assertion in view of the fact that more copies of Tartarin have been sold than of any of Daudet's other novels. "Judged freely, after many years, Tartarin, with its swift and varied movement, seems to me to have qualities of youth and of life. . . The style is neither very elegant nor very concise. It ____________________ | 2 | Lettres sur Paris in le Petit Moniteur ( 1865). Marries Julia Allard ( 1867). Le Petit Chose ( 1868), a semi-autobiography, dealing with the trials of his early years. Lettres de mon moulin ( 1869), tales and sketches, a great suc- cess. Patriotic Lettres à un absent ( 1871), inspired by the events of the Franco-Prussian War. Tartarin de Tarascon ( 1872), generally considered Daudet's masterpiece. L' Arlésienne and Lise Tavernier, plays ( 1872). Contes du lundi and Contes et Récits ( 1873). Robert Helmont ( 1874), a diary written during the Franco-Prussian War. Fromont jeune et Risler aîné ( 1874), a novel of Parisian manners, an immense success. Jack ( 1876), a sentimental novel of labor and Bohemia. Le Nabab ( 1877), a study of Parisian life, in which Daudet draws upon the experience gained in the Duc | -vi- |