relative to that embodied in the new Finnish industrial towns. Our use of large prefabricated concrete com- ponents and panels (an inevitable constructional develop- ment) stands in knee pants compared to similar work in Italy, England, France, and Scandinavia--as, indeed, does our ordinary concrete construction. Wall-sized factory- fabricated panels are regularly employed in much of Europe (especially for housing), while the small-unit prefabricated work of Nervi in Italy is world renowned. As for imaginative work in metal, it is of interest that the famous $25,000 annual R. S. Reynolds Memorial Award for creative work in aluminum (of which the U.S. pro- duces by far the world's largest output) has gone to Europe three out of five times--once it went to Australia and not until this year did it, for the first time, go to the United States. Moreover, the standardization of building materials and techniques and the constant necessity of using only stock items make much American architectural practice somewhat like assembling a gigantic Meccano set. Expensive U.S. labor and relatively inexpensive U.S. materials contrast with inexpensive--and prideful and imaginative--Continental labor and high European mate- rial costs and limitations, adding another element of dif- ference between architecture here and abroad.
Two hundred and twenty-five buildings in sixteen countries are analyzed here. Obviously there are not two hundred and twenty-five works of contemporary architectural genius in Europe--or anywhere else. How- ever, Europe certainly counts two hundred and twenty- five--and more--stimulating and significant recent build- ings. This group has been sought out. The buildings have been selected and arranged to present not only an over- all picture of architectural achievement but also a cul- tural barometer of each nation's postwar abilities in shelter. There is at times an obvious lack of equality in similar building types in different places. For example, housing in, say, Greece does not equal housing in Sweden--and is, indeed, surpassed by Stockholm ex- amples not even mentioned. However, one of the func- tions of this book is to set forth the outstanding work in each country. Thus the traveler even in the less de- veloped nations can readily find what new buildings of merit are about. It is further hoped that pointing out
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Publication Information: Book Title: The New Architecture of Europe. Contributors: G. E. Kidder Smith - author. Publisher: World Publishing. Place of Publication: Cleveland, OH. Publication Year: 1961. Page Number: 9.
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