that in my judgment there is no ground for this conclusion. I believe that for the most part the lyric portions of the text have been copied as accurately as the rest, that is to say, with errors not numerous and almost always minute; and as a corollary to this, I believe that the correspondence of strophe and antistrophe is not always an exact corre- spondence of syllables and quantities, but frequently varies from it, of course within such limits as to preserve the correspondence of rhythm. I propose here to notice all the variations which occur in our play, but first, as a good specimen case, we will take out of their order the last strophe and antistrophe of the opening Chorus.
This is the MS. text, with the exception of
(Seidler) for
in 159. It exhibits no difficulty of meaning; for the objec- tions which have been taken to
in 155 would never have been entertained but for the supposed evidence of the metre. Of the seven pairs of lines, four have exact correspondence and three have not. As might be expected a priori; assuming correspondence of rhythm, the restoration of syllabic correspondence is not difficult up to a certain point. In 153 we omit
with the later copies (to the injury of the sense), in 160 we substitute
for
and in 163
for
If these changes were completely successful, they might appear plausible: but the only result of them is to leave us with an irreducible case--155
answering to 162
which accordingly, after many unsuccessful attempts (see Wecklein Appendix), is left standing; and we remain uncertain whether, with so much to correct and something which we cannot correct, we have got anything like Aeschylus after all. But the truth is, that the
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Publication Information: Book Title: The 'Seven against Thebes' of Aeschylus. Contributors: A. W. Verrall - author. Publisher: Macmillan. Place of Publication: London. Publication Year: 1887. Page Number: 128.
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