Representing recurring rimes by the same letters, we may indicate the scheme of rimes as a b a b b b b c d d d c. Lines 1, 3, 6, 9, 10, and 11 have four stresses, or accents; lines 2, 4, 5, 7, 8, and 12, three stresses. Simple as is this stanza, it so links its three quatrains by the rimes that it is held together as a single whole; and it calls for some facility by riming five times on one sound. What is more vital, it has the true lyric quality of smoothness. It sings itself. As early as 1300, or soon after, Englishmen could write singing stanzas. Further testimony of their skill is a Spring Song of three twelve-line stanzas. The first stanza runs:
Lenten ys come wib loue to toune Wiþ blosmen & wiþ briddes roune, Þat al þis blisse bryngeþ. Dayes-eӠes in þis dales,
Morris and Skeat's Specimens of Early English, Part II, page 43.
Between March and April, When green shoots begin to spring, The little bird hath her will In her wise to sing. I live in love-longing For the fairest of all earthly things. She may me bliss bring; I am in her power. A fair hap have I got; I wot from heaven it is sent to me; From all women my love is taken, And lights on Alysoun.
The final quatrain, or group of four lines, is repeated at the end of each stanza (see page 139 ); and there are four stanzas in all. The final -e is generally sounded, except where it immediately precedes a vowel in the same line.
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Publication Information: Book Title: An Introduction to English Medieval Literature. Contributors: Charles Sears Baldwin - author. Publisher: Longmans Green. Place of Publication: New York. Publication Year: 1922. Page Number: 171.
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