III THE MUSIC OF FAR EASTERN ASIA 2. OTHER COUNTRIES
By LAURENCE PICKEN
MONGOLIA
A CONSIDERABLE range of music recorded in eastern Mongolia has been published in transcription. 1,2,3 The tunes are mostly pentatonic, with tetrachords consisting of a major second and a minor third. Major third scales, in which the tetrachords each consist of a major third with a minor second above, have been reported in melodies from the Buryat Mongols, 4 but the material from eastern Mongolia does not afford a single example of this type. The melodies are often less than an octave in range and fall into two main groups: those in free rhythm and those which are measured. The first type is illus- trated by the following example for male voice from the Chipchin tribe, 'Bargas' (an old tribal name) 'of the Holy Mountain'.2
Ex. 222
The second example, the 'Song of Chingis Khan'2 (male voice) from the Jalait tribe, is a symmetrical tune with a strong major flavour imparted by the arpeggioed triad in the first bar ( Ex. 223 ).
H. Haslund-Christensen and E. Emsheimer, The Music of The Mongols (Stockholm, 1943). Several small collections of Mongolian tunes have been published in China in recent years. The tunes are all of the measured, symmetrical type.
Chūichirō Takeda, "'Songs of the Mongols, Notations and Explanations'", Tōyō Ongaku Kenkyū, ix ( Tokyo, 1951), pp. 147-54, and x-xi ( Tokyo, 1952), pp. 67-73.
C. Stumpf, "'Mongolische Gesänge'", Sammelbände für vergleichende Musikwissen- schaft, i ( 1922), pp. 107-12.
-135-
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Publication Information: Book Title: Ancient and Oriental Music. Contributors: Egon Wellesz - editor. Publisher: Oxford University Press. Place of Publication: Oxford. Publication Year: 1957. Page Number: 135.
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