9 Is My Body Proper? Postcoloniality in the Classroom Gita Rajan Who are better prepared than the oppressed to understand the terrible significance of an oppressed society? Who suffer the effects of oppres- sion more than the oppressed? Who can better understand the necessity of liberation? They will not gain this liberation by chance but through the praxis of their quest for it, through their recognition of the necessity to fight for it. Paulo Freire, Pedagogy of the Oppressed Freire's work represents a textual borderland where poetry slips into politics, and solidarity becomes a song for the present begun in the past while waiting to be heard in the future. Henry Giroux, "Paulo Freire and the Politics of Postcolonialism"
In this chapter I explore the place of the racially marked "other" agent in the Western academy, specifically in literature classrooms in the United States, which are (already) constructed along purist, imperialistic, and authoritative lines. In so doing, I will assess the cultural value placed upon concepts such as the "body" of literature, the "body" permitted to appro- priate and disseminate literature, and the "proper" knowledge required of such an appropriating body in the academic marketplace, and thus, in this laissez-faire. My aim is to examine the mediatory politics between and amongst concepts such as the canon, the multicultural body-proper of the teacher, and the power that possessing canonical knowledge grants the teacher. I hold as a backdrop Paulo Freire powerful thesis from Pedagogy of the Oppressed 1 of gaining "literacy [knowledge]" as a gesture of resistance against the cooption of the other's "body" (both as the racially marked agent and as multicultural text) and as a mark of solidarity in educating -135- |