Leviathan: Post Hoc Harmonies Arthur Saltzman The detective novel provides some of literature's most durable endow- ments. Its sureties constitute a method and a message: mystery condenses then lifts like the day's weather; seemingly encouraged by the very con- ventions of his context, the hero patiently debrides whatever wound to propriety summons him; cases wind up tight and smooth as spools. Gor- dian plots are only, are always, temporary distractions at worst, or prods to appetite, and thanks to logic's stacked deck, these regularly succumb to investigation. As the detective whittles raw circumstance into habitable sense, he is secure in the conviction that at the core all incidents and outrages conform to code -- each "Eureka" is really "Elementary" after all. In short, orientation is the detective novel's promise, tractability its principle. Such is the foundation of our devotion as the Good assumes its ritual guise and Evil performs the stations of the double-cross. When it comes to practicing literary convention, novelists, characters, and read- ers are all insiders, all blissful in the rigging. Paul Auster has made his reputation largely by invoking the detective formula in order to steer it into metaphysical tundra. His New York Trilogy observes the steady disintegration of the motives, means, and results of inquiry, in which "the presence of the unpredictable, the powers of con- tingency" ultimately estrange us from those crisp generic assurances ( Art of Hunger270-271). Although it is in many ways a more straightforward work than its predecessors, Auster's Leviathan clarifies and extends the predicament: every author is at once a detective and an artificer, and these callings are incompatible. Moreover, as we are advised in the course of the novel, "the real is always ahead of what we can imagine" (180). The irony is that Leviathan is ostensibly Auster's most realistic novel, yet it is here that the question of what constitutes reality is rendered more subtle instead of extinguished. Whatever document results from the novelist's efforts is essentially a record of incomplete transactions whose authority must be taken under advisement. -162- |