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| | index Artists whose works are illustrated in the text appear in small capitals. Illustrations are italicized under the names of artists, with the disignation (col) to indicate color illustrations. Dorothy Simmons | | Abstract art, 13, 14, 15, 25, 26, 70, 75, 76, 78, 106, 116, 125, 130, 132, 135, 136, 158, 165, 175, 176, 212 | | | ALBIKER, KARL, 144, 163 ; Youth, 162 | | | Amiet, 189 | | | Archipenko, 80, 81, 175, 176, 217 | | | Arp, 57, 81, 209, 217 | | | Art nouveau, 23, 25 | | | Bahr, 25 | | | Bargheer, 132 | | | BARLACH, ERNST, 144, 142, 144, 146 -8, 150, 154, 156, 158, 163, 165, 166, 170, 171, 172, 176, 178, 180, 183, 206, 208 ; The Avenger, 151 ; Beggar Woman, 147 ; The Fighter of the Spirit, 153 ; The Good Samaritan, 205 ; Group in a Storm, 205 ; Hovering Angel, 155 ; Man in Stocks, 149 ; Singing Man, 152 ; Sorrowing Woman, 148 ; Woman in the Wind 154 | | | Bauhaus, 14, 106, 108, 113, 116, 119, 129, 130, 136, 166, 209 -11, 212 | | | BAUM, OTTO, 176, 178 ; Metamorphosis, 176 | | | BAUMEISTER, WILLI, 130, 132 ; Homage to Jerome Bosch, 131 (col); Montaru I, 132 | | | Bayer, 108 | | | Bechtejeff, 54 | | | BECKMANN, MAX, 14, 96, 99 - 100, 106, 125, 129, 130, 202, 204 -5, 206, 214 ; The Bath, 103 (col); David and Bathsheba, 206 ; Family Picture, 100 ; Kasbek, 207 ; The Night, 214 ; Rugby Players, 102 (col); Temptation, 104 -5 (col); View of Genoa, 101 (col) | | | Begas, 142, 144 | | | BELLING, RUDOLF, 165, 175 -6; Sculpture, 174 | | | Berlin Autumn Salon, 57, 80, 81, 108 | | | Berlin New Secession, 42, 80 | | | Berlin Secession, 22, 34, 42, 96, 142, 145 | | | Bill, 132 | | | Blaue Reiter, 27, 54, 56, 57, 61, 66, 78, 80, 106, 108, 116, 136, 201, 202, 208, 210, 217 | | | Bleyl, 38, 189, 191 | | | BLUMENTHAL, HERMANN, 164, 170, 178, 180, 182 ; Kneeling Youth, 179 ; Standing Figure, 180 | | | Böcklin, 21 -2 | | | Bonnard, 23, 145, 193 | | | Brancusi, 81, 156, 175, 176 | | | BRAQUE, GEORGES, 15, 17, 54, 57 ; Violin and Pitcher, 18 | | | Brenninger, 172, 178 | | | Breton, 209 | | | Breuer, 108 | | | Bridge, seeBrücke | | | Brücke, 27, 34, 38, 42, 46, 51, 54, 57, 80, 189, 190, 191, 192, 193, 195, 196, 198, 199, 200, 201, 205, 208, 214, 217 | | | Burliuk, 56 | | | Campendonk, 56, 80, 201, 217 | | | Cézanne, 15, 17, 20, 21, 26, 30, 54, 66, 80, 96, 136, 201 | | | Chagall, 80, 81, 201, 217 | | | de Chirico, 209 | | | Ciurlionis, 75 | | | Constructivism, 13, 106, 108, 113, 116 | | | CORINTH, LOVIS, 22, 80, 188, 189, 204 ; Apocalypse, 186 ; Near the Walchensee -- Silver Way, 73 ; Self Portrait, 72 (col); Winter at Walchensee, 73 | | | Cubism and Cubists, 13, 17, 21, 42, 58, 66, 70, 80, 81, 100, 108, 136, 158 | | | Dada, 82, 84, 87, 91, 208 -9, 212 | | | Daumier, 34 | | | Delaunay, 15, 56, 58, 61, 66, 75, 80, 81, 108, 201 | | | Denis, 23, 115 | | | Derain, 54, 57, 96 | | | DIX, OTTO, 84, 87, 212 ; Child with Doll, 89 ; Dr. Mayer-Hermann, 88 ; My Parents, 86 (col); Trench Warfare, 87 ; Wounded, Fall 1916, 215 | | | van Doesburg, 106, 140 | | | Dürer, 185 | | | Endell, 25, 75 | | | Ensor, 34, 80, 187, 199 | | | Epstein, 81 | | | Erbslöh, 54 | | | ERNST, MAX, 14, 81, 90, 91, 209 ; The Grami- neous Bicycle Garnished with Bells . . ., 91 ; The Hat Makes the Man, 90 ; The Little Tear Gland That Says Tic Tac, 92 ; Trophy, Hypertrophied, 208 | | | Expressionism and Expressionists, 14, 17, 22, 23, 27, 32, 34, 46, 80, 82, 84, 100, 106, 116, 130, 163, 175, 185, 187, 188, 189, 190, 193, 201, 202, 204, 205, 208, 212, 214 | | | Fassbender, 135 | | | Fauves and Fauvism, 13, 17, 20, 27, 42, 54, 67, 76, 189, 190, 196 | | | Fazzini, 178 | | | FEININGER, LYONEL, 106, 108, 129, 210, 211 -12; Barüsser Church in Erfurt, 111 (col); Bridge III, 109 (col); Buildings, 184 ; The Side Wheeler, 107 ; The Steamer "Odin," II, 110 (col) | -237- | | |
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Publication Information: Book Title: German Art of the Twentieth Century. Contributors: Werner Haftmann - author, Alfred Hentzen - author, William S. Lieberman - author, Andrew Carnduff Ritchie - editor. Publisher: Museum of Modern Art. Place of Publication: New York. Publication Year: 1957. Page Number: 237.
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