those of African-American heritage, and it became a coveted honor to have poems reviewed by him and included in his yearly anthologies, the first of which was the Anthology of Magazine Verse for 1913. These anthologies continued to appear until 1929; in 1959 appeared a new anthology, con- taining a selection from the seventeen previous volumes. Braithwaite also published The Book of Elizabethan Verse ( 1908), The Book of Georgian Verse ( 1909), The Book of Restoration Verse ( 1910), and Our Lady's Choir: A Contemporary Anthology of Verse by Catholic Sisters ( 1931). Though his stature as an eminent critic of American poetry continued to grow, Braithwaite never lost interest in British literature, which influenced his early writings. In 1919 he edited The Book of Modern British Verse, and in 1950 The Bewitched Parsonage: The Story of the Brontës appeared. In 1935 Braithwaite, relinquishing his seat in Boston society, accepted the position of professor of creative literature at Atlanta University, where he remained for ten years. Despite his prestigious position in the world of letters, Braithwaite was painfully aware of his lack of formal education in the academic surroundings. It should not be surprising that he remained aloof from the politics of academia, never wavering in his devotion to his students. Braithwaite retired from Atlanta University in 1945 and moved to Harlem.His Selected Poems appeared in 1948, and he continued to write for various periodicals. He died on June 8, 1962. Critical Extracts JOYCE KILMER There are many beautiful poems in Mr. Braith- waite's collection ( Anthology of Magazine Verse for 1913). Indeed, he includes a few poems that are not excellent. And he is wise enough to include poems widely different from each other in theme and spirit; to include, for instance, so classical and stately a composition as Sara Teasdale's splendid "Sappho," and so buoyant or rather boisterous a bit of enthusiasm as Nicholas Vachel Lindsay 's "The Kallyope Yell." Mr. Braithwaite does not say, "Thus gods are made." He has taken the poet's point of view, as he says in the thoughtful essay which is his preface, and accepted his value of the theme he dealt with. And as a result his anthology contains poems differing widely in subject and style, but alike in the possession of sincerity and charm. It is a gratifying commentary on American verse that so distinguished a collection can be made of one year's poetical output. Most readers will think
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