Page:  of 398
 
The Canon of American Drama and Cultural Difference
Ronald R. Miller
Eugene O'Neill's First Transcultural Epic: "Universal
History" in The Fountain 		99
Martha Bower
The Pathology of Resistance to Cultural Assimilation in
Eugene O'Neill's Late Plays 		111
James A. Robinson
Both His Sons: Arthur Miller's The Price and Jewish
Assimilation 		121
Georges-Michel Sarotte
Fluidity and Differentiation in Three Plays by Tennessee
Williams: The Glass Menagerie, A Streetcar Named Desire,
and Cat on a Hot Tin Roof 		141
Johan Callens
Sam Shepard's Inter/National Stage 		157
Alain Piette
The Devil's Advocate: David Mamet's Oleanna and Political
Correctness 		173
The Emergence of a New Multicultural Drama
James S. Moy
Asian American Visibility: Touring Fierce Racial
Geographies 		191
Robert Cooperman
New Theatrical Statements: Asian-Western Mergers in the
Early Plays of David Henry Hwang 		201
Granger Babcock
Looking for a Third Space: El Pachuco and Chicano
Nationalism in Luis Valdez's Zoot Suit 		215

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Questia, a part of Gale, Cengage Learning. www.questia.com

Publication Information: Book Title: Staging Difference: Cultural Pluralism in American Theatre and Drama. Contributors: Marc Maufort - editor. Publisher: Peter Lang. Place of Publication: New York. Publication Year: 1995. Page Number: viii.
    
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