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Bibliography
Adorno Theodore W. Introduction to the Sociology of Music. New York:
Seabury Press, 1975.
Anderson Benedict. Imagined Communities: Reflections on the Origin and
Spread of Nationalism. Thetford: The Thetford Press, 1983.
Anderson Sherwood. Dark Laughter. New York: Boni and Liveright, 1925.
Andrews William L. African-American Autobiography: A Collection of
Critical Essays. Englewood Cliffs: Prentice Hall, 1993.
_____. To Tell a Free Story: The First Century of Afro-American
Autobiography, 1760-1865. Urbana: University of Illinois Press, 1986.
Appiah Anthony. "The Uncompleted Argument: Du Bois and the Illusion
of Race" in "Race," Writing, and Difference. Edited by Henry Louis Gates Jr.
Chicago: University of Chicago Press, 1986.
Baker Houston A. Jr., Blues, Ideology, and Afro-American Literature: A
Vernacular Theory. Chicago: The University of Chicago Press, 1984.
_____. Long Black Song: Essays in Black American Literature and Culture.
Charlottesville: University Press of Virginia, 1972.
_____. Modernism and the Harlem Renaissance. Chicago: The University
of Chicago Press, 1987.
_____. Singers Of Daybreak: Studies in Black American Literature.
Washington D.C.: Howard University Press, 1983.
Baraka Imamu Amiri. Blues People: Negro Music in White America. New
York: W. Morrow, 1963.
Bell Bernard W. The Afro-American Novel and Its Tradition. Amherst: The
University of Massachusetts Press, 1987.
Berland Alwyn. Light in August: A Study in Black and White. New York:
Maxwell Macmillan International, 1992.
Berzon Judith R. Neither White Nor Black: The Mulatto Character in
American Fiction. New York: New York University Press, 1978.
Bhabha Homi, ed. Nation and Narration. New York: Routledge Press,
1991.

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Publication Information: Book Title: The Passing Figure: Racial Confusion in Modern American Literature. Contributors: Juda Bennett - author. Publisher: Peter Lang Publishing. Place of Publication: New York. Publication Year: 1996. Page Number: 129.
    
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