cepts rimes based alone on the final syllable,--harbár, banér, suffré, displeasúr, although by no system can they be accounted pure rimes. Wyatt is clearly hampered both by an unsettled technique and an unsettled language. Surrey's version shows the advance. 1 Love that doth raine and line within my thought and buylt his seat within my captyve brest clad in the armes wherein with me he fowght oft in my face he doth his banner rest But she that tawght me love and suffre paine my doub(t)ful hope & eke my hote desire with shamfast looke to shadoo and refrayne her smyling grace convertyth streight to yre And cowarde Love then to the hart apace taketh his flight where he doth lorke and playne his purpose lost, and dare not shew his face. for my lorde's gilt thus fawtles byde I payine; yet from my Lorde shall not my foote remove sweet is the death that taketh end by love.
Although this version is as literal as the other, by abandoning the rime-scheme of the Italian sonnet, the difficulty of the rendition has been greatly decreased. It is unnecessary here to apologize for the so-called "Elizabethan sonnet"; the form used by Shake- speare needs no defense. For, whereas the frequency of rimes in Italian makes the Italian sonnet normal in that language, in Eng- lish, except in the hands of the greatest masters, it tends to degenerate into mere verbal ingenuity. It is always an exotic. Certainly Wyatt's experiments in the Italian form would not en- courage imitators. Surrey here shows, then, both his independence and his critical ability in preferring a form more consonant with the genius of the language. And his use of it was carried over into the next generation. The two forms of the sonnet produce quite differ- ent effects. The Italian sonnet, as Petrarch uses it, automatically breaks into the octave and the sextet, the octave stating the gen- eral condition and the sextet giving the concrete application. As the Elizabethan sonnet consists of three quatrains and a couplet, there is no such mechanical break; the idea, therefore, is developed ____________________ | 1 | Add. MS. 36529, as quoted by Padelford. It must be remembered that whereas the Wyatt text being probably autographic represents Wyatt's final work, the Surrey is derived only from a copyist. | -522- |