Page:  of 336
 

III. INDEX OF SUBJECTS
Acoustics, 15, 227, 243
Adult actors, 79
Adult companies, 1, 7, 14 - 19 ; cf. also
Index II, s.v. Admiral's, Chamber-
lain's, Worcester's Men, etc.
Adult songs, 98 - 157 ; part of character's
role, 159 ; Armin, 116, 173 ; as relief
to blank verse, 216 ; cf. also Index II,
s.v. Ham. (grave-digger), Lr. (fool),
Rom. (Peter), Troil. (Pandarus),
Tw.N. (Feste), Ado. (Balthazar),
AϒL (Amiens), Meas. (Lavache)
Adultery, s.v. Promiscuity
Alarum, its execution, 197 - 198
Anapaestic, 30, 37, 48, 50
Ancient, s.v. Humanism, Neo-classical;
ú cf. also Index II, s.v. Greek, Roman,
Seneca, Neo-Platonists
Answer Poem, 90
Anti-Italian, 138, 203 - 204
Antic, Antic disposition, 82, 129
Antimasque, 224
Aristocracy, s.v. Etiquette, Music,
estimation of
Audience (demands of live theatre), 2,
3, 87, 219, 247 ; familiarity with
songs, 29, 34 ; with musical conven-
tions, 230 ; Jonson on, 99
Aulos, definition, 225
Bagpipe, instead of oboe, 225 ; winds vs
strings, 226 - 228 ; played by fool, 230
Ballads, ballad-like, 14, 63 ; not sym-
pathetic to satire, 137 ; Lavache's
song, 142 ; Ham., 129 ; Ant., 239 ;
'Some men for sudden joy', 175
Bandora, 'Bonny sweet Robin', 69
Banquet, 82, 85 ; use of oboe, 225 ;
functional music (instrumental), 195 ;
Roman banquets, 209 ; as interlude,
214 - 215 ; in Thyestes, 217 ; Tit., 217 -
218, 220 226 ; Mac., 220 ; Spanish
Tragedy, 217
Banqueting House, 248
Basse Danse, 250
Beggar Songs (Bedlam beggars), 163
Bergomasca, 255
Biblical tragedy, 11
Biblical authorities, 89, 207, 241 ;
transvesticism, 115 ; music of the
spheres, 104 ; 'wise fool', I Corin-
thians, III. 18., 109 ; Puritans, 115
Birds, Bird-song, 84
Blank Song (vs text of song), 5, 21 - 22,
25, 80 - 81 ; Antonio and Mellida, 16
Blank Verse, 2, 4, 10, 158 f.; mingling
song with, 16 ; vs prose, 160, 192 - 194,
232 ; means to invoke celestial har-
mony, 248 ; dumb-show as relief, 214,
216, 219 ; in Lr., 158 - 194 ; in Mar-
lowe, 195 - 196 ; Ulysses vs Pandarus,
207
Blood, bloodshed in tragedy, 2, 99 ;
Thyestes, 215
Boorne, Bourn, s.v. Burn
Boy actors, singers, 8, 17, 21, 79, 98 - 99 ;
Puritan view, 115 ; in Ham., 16 ; Iago
sings himself, 145
Boys' companies, cf. also Index II, s.v.
Chapel, Children of; Paul's, Children
of; etc. 1, 14 - 22 ; repertories, 15 ;
competition with, 108
Boys' songs, 80, 158 ; decrease after
Ham., 173 ; Ant., 85, 144 ; Mac., 88 ;
Meas., 88, 138 ; Tw.N., 173, 'Come
away', 117 ; cf. also Index II, s.v.
Ant. (boy), Caes. (Lucius)
Branle, Brawl, 225
Brazen din, definition, 195 ; Ant., 212
Burden, s.v. Song: Refrain
Burn (bourn, boorne), 'Come over the burn, Bessy', 165
Canary, 255
Catch, canon, 'Hold thy peace', 112
Catharsis, 18, 37 ; Lr., 164, 244, 249
Celestial, s.v. Spheres
Censorship, cf. also s.v. Puritan, 84

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Publication Information: Book Title: Music in Shakespearean Tragedy. Contributors: F. W. Sternfeld - author. Publisher: Routledge and Kegan Paul. Place of Publication: London. Publication Year: 1963. Page Number: 326.
    
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