CHAPTER VI CARE AND TUNING OF THE PIANO Attention to a few details will make a piano last longer and stay in better condition. It is subject to a number of influences the control of which is not so simple. In general, its greatest enemies are excessive heat and extreme dampness. The conditions in modern apartments in large cities, where the temperature is maintained during the day at eighty or more degrees Fahrenheit in winter and reduced at night to a point near the outside temperature, are exceedingly injurious. Under such circumstances the piano must be placed in a separate room which can be closed off, and artificial means must be provided whereby a temperature that does not vary by more than eighteen degreees can be maintained. Where extreme damp- ness is a characteristic of the climate, similar arrangements must be made for drying the air in the room where the piano is kept. In climates where the atmosphere is hot and the humidity is high, these conditions must be controlled by suitable apparatus specially devised for cooling and drying the air. Obviously a piano must not be placed near an open window in damp weather, even if the outside temperature is not too low; for the reasons outlined above it must not be located near a source of heat, such as a radiator, stove or steam pipes. Extreme dryness is exceedingly undesirable on account of the large amount of glue used in the case and action of a piano. This difficulty may be overcome to some extent by placing a quart of water inside the case in an uncovered container; it is also advisable to place the piano where it will not be in a draught. A new piano requires tuning by an expert every three months for the first five years, and after that period at least twice a year. The piano should be kept closed when not in use, and the usual treatment for moths should be used because these insects destroy the felt in the heads of the hammers. If the piano is thoroughly dusted every day, the keys will seldom require cleaning; they may be cleaned with a damp cloth, after which they should be thoroughly dried. No cover should be used for the top of the piano, and it should not be littered with ornaments or music. Oil or furniture polish is of no particular value to the case, and it may be tracked onto the keys by the fingers coming in contact with it. The case should be refin- ished by an expert when the varnish becomes dull. Oiling of squeaky pedals and other minor adjustments should be attended to by a repair man; the rusting of the strings may be prevented by placing a small bag of unslaked lime inside the case. The tuning of a piano is now delegated entirely to experts trained in the art, and must under no circumstances be attempted by any other person. -79- |