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him to affirmation. In himself the Rousseau-Voltaire struggle pro-
vides the dominant pressure of his thinking. Just as for him
"ascending life" requires decadence, so the Superman, the "trans-
valuation of values" and so on, require nihilism as their basis. So
that in a sense Nietzschewelcomes the terrible and catastrophic
consequences of the nihilism he both abhors and is fascinated by.
This accounts for the extraordinary savageness of his joy in denun-
ciation coupled always with euphoric hope and innocent wonder.
It is not that he offers a "solution" to the nihilistic consequences of
his thinking, but that they must be accepted and turned to a
positive direction. The world is meaningless, so we create a mean-
ing. Just, he urges, as Christianity did. Only Christianity was a
fraud, it created the wrong meaning. And perhaps, at times we
almost hear him saying, perhaps Nietzsche's "meaning" is a fraud
too. "Die Dichter lügen zu viel." (16)


TRANSLATIONS
1 All that is profound loves to mask itself.
2 The beast in us needs to be deceived: morality is a necessary lie to
save us from being torn to pieces by it: without the errors which con-
stitute the basis of morality, man would have remained an animal.
3 Life--that means continually expelling from oneself something that
wishes death; it means being cruel and merciless to all that is weak and
old in us, and not only in us. It means, therefore, being without respect
for the dying, the miserable and the old. Being continually a murderer.
Yet old Moses said: Thou shalt not kill.
4 Is not the greatness of our deed too great for us? Must we not
ourselves become gods, in order to seem worthy of it?
5 The superman is the sense of the earth. Let your will say: may the
superman be the sense of the earth.
6 And only where there are graves, are there any resurrections.
7 Can you be your own judge and the avenger of your law?
8 All living is an obeying. Good and bad as eternal values--do not
exist! Each must continually overcome itself from within itself . . . And
if you would be a creator in good and evil, you must first be a destroyer
and break up values.
9 Do what you will--but first be such men as can will!
10 It is nothing more than a moral prejudice that truth is more
valuable than falsehood . . . no life could exist except on the basis of
perspective judgments and approximations. . . . Anyway, what forces us
to accept any fundamental contradiction between "true" and "false"? Is it
not sufficient to accept various degrees of probability, so to speak, lighter
and darker shadows and tones of appearance--varying "valeurs", as the
painters say. Why should not the world, in so far as it concerns us, be a
fiction? And if it is asked: "But a fiction requires an author"?--could one
not simply retort: "Why?" perhaps this "requires" is also part of the fiction?

-29-

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Publication Information: Book Title: German Men of Letters. Volume: 2. Contributors: Alex Natan - editor. Publisher: Oswald Wolff. Place of Publication: London. Publication Year: 1963. Page Number: 29.
    
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