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Ich seh' mich als Gelächter,als tiefe Trauer wieder,
als wilden Redeflechter;
doch alles dies sinkt nieder
.

Und ist zu allen Zeiten
wohl niemals recht gewesen.
Ich bin vergeßne Weiten
zu wandern auserlesen
. (31)

Walser's later verse is more rugged and reflective, often with a
colloquial directness and a dry quality of language and thought.
Carl Seelig records in his postscript to the Unbekannte Gedichte
how Walser
took up lyrical poetry anew in his later years, at the
time when he was becoming increasingly aware that his gift of
prose-writing was becoming exhausted. "Beten ist ja wie dichten.
Jedes Gedicht ist eine Art
von Gebet", (32) he wrote in an essay of
1919 which Seelig quotes. Poems he continued to write after he
had withdrawn from the world, long after he had ceased to write
prose. Perhaps the undated poem "Beschaulichkeit" belongs to this
last phase of his writing; evidently it looks back rather than
forward:

Die Bücher waren alle schon geschrieben,
Die Taten alle scheinbar schon getan.
Alles, was seine schönen Augen sah'n,
Stammte aus früherer Bemühung her.
Die Häuser, Brücken und die Eisenbahn
Hatten etwas durchaus Bemerkenswertes.
Er dachte an den stürmischen
Laertes,
An Lohengrinund seinen sanften Schwan,
Und üb'rall war das Hohe schon getan,
Stammte aus längstvergang'nen Zeiten.
Man sah ihn einsam über Felder reiten.
Das Leben lag am Ufer wie ein Kahn,
Das nicht mehr fähig ist zum Schaukeln, Gleiten
. (33)

[I should like to express my indebtedness to Herr P. Müller and Dr.
M. Schäppi for their help during the writing of this essay.]


TRANSLATIONS
1. To write exactly and definitely about something beautiful is diffi-
cult. Thoughts fly around what is beautiful like drunken butterflies,
without coming to a destination and a firm point.
2. "O power of the spirit, who could bind you?"
3. Our town is actually more a large, beautiful garden than a town.

-191-

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Publication Information: Book Title: German Men of Letters. Volume: 2. Contributors: Alex Natan - editor. Publisher: Oswald Wolff. Place of Publication: London. Publication Year: 1963. Page Number: 191.
    
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