Ich seh' mich als Gelächter,als tiefe Trauer wieder, als wilden Redeflechter; doch alles dies sinkt nieder.
Und ist zu allen Zeiten wohl niemals recht gewesen. Ich bin vergeßne Weiten zu wandern auserlesen. (31)
Walser's later verse is more rugged and reflective, often with a colloquial directness and a dry quality of language and thought. Carl Seelig records in his postscript to the Unbekannte Gedichte how Walser took up lyrical poetry anew in his later years, at the time when he was becoming increasingly aware that his gift of prose-writing was becoming exhausted. "Beten ist ja wie dichten. Jedes Gedicht ist eine Artvon Gebet", (32) he wrote in an essay of 1919 which Seelig quotes. Poems he continued to write after he had withdrawn from the world, long after he had ceased to write prose. Perhaps the undated poem "Beschaulichkeit" belongs to this last phase of his writing; evidently it looks back rather than forward:
Die Bücher waren alle schon geschrieben, Die Taten alle scheinbar schon getan. Alles, was seine schönen Augen sah'n, Stammte aus früherer Bemühung her. Die Häuser, Brücken und die Eisenbahn Hatten etwas durchaus Bemerkenswertes. Er dachte an den stürmischen Laertes, An Lohengrinund seinen sanften Schwan, Und üb'rall war das Hohe schon getan, Stammte aus längstvergang'nen Zeiten. Man sah ihn einsam über Felder reiten. Das Leben lag am Ufer wie ein Kahn, Das nicht mehr fähig ist zum Schaukeln, Gleiten. (33)
[I should like to express my indebtedness to Herr P. Müller and Dr. M. Schäppi for their help during the writing of this essay.]
To write exactly and definitely about something beautiful is diffi- cult. Thoughts fly around what is beautiful like drunken butterflies, without coming to a destination and a firm point.
Our town is actually more a large, beautiful garden than a town.
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Publication Information: Book Title: German Men of Letters. Volume: 2. Contributors: Alex Natan - editor. Publisher: Oswald Wolff. Place of Publication: London. Publication Year: 1963. Page Number: 191.
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