when I feel the pressure of his vast, natural, un- affected dullness. Then I am able to enter con- fidently into his life and inhabit there, to think his shallow and feeble thoughts, to be moved by his dumb, stupid desires, to be dimly illumined by his stinted inspirations, to share his foolish preju- dices, to practice his obtuse selfishness." He came later to regret what he pronounced the misconception that construed these remarks as prohibitory dicta and gave his descriptions of the true realist a more positive cast: "In life he finds nothing insignificant; all tells for destiny and character; nothing that God has made is contemptible. He cannot look upon hu- man life and declare this or that thing unworthy of notice, any more than the scientist can declare a fact of the material world beneath the dignity of his inquiry." 19
As a critical apostle of the commonplace he may have misdirected a multitude of second-rate and imitative writers, but on the original minds he was a compulsion to fresh beauties and an exactitude our literature had never known. They have not devoted themselves, any more than novelists ever have devoted themselves, exclusively to chroni- cling the noon-day spaces of life, nor have they habitually sought existence upon the normal plane of the average man and woman, so incomparably incarnated in the persons of Basil and Isabel March; but whether seeking high or low, they have learned to approach their matter with a reverence for the verities such as moved neither Sir Walter nor the apostle to Les Misérables. ____________________ | 19 | Critisim and Fiction ( 1891), p. 16. | -82- |