unorthodox modification of the current Ptolemaic astronomy, which accepted only eight instead of ten moving spheres within the motionless empyreal heaven. This view was derived directly or indirectly from a treatise by Augustinus Ricius. Sir Walter Greg in the Modern Language Review ( April 1946) emphasized that throughout the play 'Spirit' means devil, and that when the Bad Angel tells Faustus, 'Thou art a spirit; God cannot pity thee', it is implied that through his bargain he has taken on the infernal nature. Greg further suggested that when Helen appears it is as a 'spirit', and that in making her his paramour Faustus commits the sin of demonialty, bodily intercourse with a demon. Translations of Doctor Faustus have appeared in or about 1949 by Adolf Seebass in German, N. D'Agostino in Italian, and A. de O. Cabral in Portuguese. 'I walked along a stream for pureness rare.' A fragment, so begin- ning, of 24 lines in ottava rima was attributed to Marlowe by Robert Allott in his anthology, England's Parnassus ( 1600). The lines seemed characteristic of his poetic style, and were partly quoted by me ( Christopher Marlowe, pp. 222-3). In The Times Literary Supplement ( 4 Jan. 1947) John Crow showed that they come from a rare elegy by Gervase Markham, entitled Devereux. On 11 Jan. (ibid.) Peter Davies suggested that the source of the stanzas by Markham was a fourth-century Latin poem by Tiberianus , Amnis ibat inter arva, &c. General In The Times Literary Supplement ( 16 Sept. 1949), starting from information by Dr. L. Antheunis of Louvain in a Flemish periodi- cal, I suggested a possible new identification of Richard Baines, the informer against Marlowe. A man of that name entered the English seminary at Rheims in the spring or summer of 1581, became a priest, and formed a plan of revealing Roman Catholic plots against Elizabeth. A confederate disclosed his design, and he suffered confinement till 13 May 1583, when he signed a full con- fession. If he got back later to England he was the type of man who might have delivered the Note against the dramatist. In any case the coincidence of his name with the Richard Baines of the Inner Temple, to whom the Note has been attributed ( Christopher Marlowe, pp. 245-52) is striking. The Note occupies a predominant place in Paul H. Kocher -xv- |