Norwegian naturalism. The naturalistic tendency in art had a background for its striving in the general development of the nation and in revolutions that were taking place in the various domains of culture during those years. The painters themselves were only a small band in the advancing army which at that period was breaking a way for itself through barriers of tradition. The salty stream which from the dramas of Ibsen flowed through the intellectual life of the land, and of Europe, with the lofty sky of individualism above it, the fresh mountain wind which came forth from the poetry and the rousing activities of Björnson, the purifying fire of Georg Brandes's criticism, the passion for truth in the books of Garborg and Jæger, and the waves of radicalism that rolled high in national politics, all these things formed the domestic background for the battle in which the painters were engaged. The background, meanwhile, broadens out. Behind the young pilgrims returning from Paris we descry revolutions and formative events in the cultural life of Europe through- out all the fields of thought, of art, of social consciousness. The positivistic philosophy with its revaluation of old stand- ards constitutes in a way the remotest part of the perspec- tive. The sobering effect of naturalistic research upon science, sociology, and art comes next in importance. Men began to take into more systematic account the experiences of the senses. As a twin brother of empiricism in science, naturalism in art grew more vigorous. And under the influ- ence of the individualistic and anarchistic tendencies that gave the strongest incentives to the minds of men during the nineteenth century, naturalism became impressionism. As the actual soil from which all these things burst into being we perceive democracy itself, vast, extensive, restlessly heav- ing with repressed discontent and earth-bound dreams of happiness--the desire for social revolution as the foundation of it all. The revival in Norwegian painting was thus merely a reflexion from deep intellectual currents that shook the world in their passing. -506- |