to things which the poet had experienced, or seen, or fancied, when awake, thus appearing to be dependent on previous waking excitements, the vision related in this sonnet seems, on the contrary, to have had its origin in no external circumstance, but to be the result of a purely internal condition of feeling. It was a new Intelligence that led his sigh upwards,-- a new Intelligence which prepared him for his vision at Easter in 1300. If a reason be inquired for that might lead Dante thus symmetrically to arrange the poems of this little book in a triple series of ten around a central unit, or in a triple series of ten followed by a single poem in which he is guided to Heaven by a new Intelli- gence, it may perhaps be found in the value which he set upon ten as the perfect number; while in the three times repeated series, culminating in a single central or final poem, he may have pleased himself with some fanciful analogy to that three and one on which he dwells in the passage in which he treats of the friendli- ness of the number nine to Beatrice. At any rate, as he there says, "This is the reason which I see for it, and which best pleases me; though perchance a more subtile reason might be seen therein by a more subtile person." 1 ____________________ | 1 | For an inquiry into the statements of a symmetrical arrangement of the lyrics by Gabriel Rossetti, Aroux, and Federzoni, and for a defense and further elaboration of Professor Norton's theory, vide The Symmetrical Structure of Dante's Vita Nuova, by Kenneth McKenzie, in Publications of the Modern Language Association of America, vol. xviii. No. 3 ( 1903). (D.) | -192- |