interesting manner. One gets the genuine savour of romantic saga-lore. Finally, a word of WOLFDIETRICH, a popular medi- 'val poem of which there are several versions in different stages of completeness. The story has no connection with the Dietrich-saga, though its hero is represented as an ancestor of Dietrich, but sprang from the same soil that produced King Rother. It is an ancient blend of Gothic, Lombard, and Byzantine saga, retold in Nibelung stan- zas by a poet, or rather by several poets, of the thir- teenth century. Wolfdietrich is the son of Hugdietrich, the Byzantine emperor. Lending his ear to a wicked intriguer, the father disowns his little son and sends him to Duke Berchtung of Meran to be put to death. But the duke is moved to pity and love for the wonderful child, saves his life, and in time becomes his faithful liegeman. When the story of the boy's rescue reaches Constantinople, Hugdietrich pardons Berchtung, but as he has already divided his kingdom among his other sons there remains no portion for Wolfdietrich. The landless prince must conquer a kingdom for himself, and he proceeds to do so. In the battles with his brother, and the other adventures that befall him in pursuit of his object, he is loyally aided by Duke Berchtung and his sixteen sons. Such of these as survive reap the reward of faithful service when Wolf- dietrich finally triumphs. -64- |