Contributors ELLIOTT ANTOKOLETZ studied violin at the Juilliard School of Music and re- ceived his Ph.D. in musicology at the City University of New York in 1975. From 1973 to 1976s, he taught theory and chamber music at Queens College, where he was also a member of the Faculty String Quartet. He has been professor of musicology at the University of Texas at Austin since 1976. He is the author of four books -- The Music of Béla Bartók: A Study of Tonality and Progression in Twentieth-Century Music (1984), Béla Bartók: A Guide to Research (1988), Twentieth-Century Music (1992), and George Perle: A Bio-Bibliography (forthcoming). He is currently writing two new books: Musical Symbolism in the Operas of Debussy and Bartók ( Oxford University Press) and The Music of Georg von Albrecht. He is also editor of the International Journal of Musicology. He received the Béla Bartók Memorial Plaque and Diploma from the Hungarian government in 1981. PÉTER BARTÓK was born in 1924 in Budapest, Hungary. He studied music with his father privately. After moving to the United States, he studied electrical engi- neering at the Pratt Institute, Brooklyn, New York. He has operated Bartók Records, producing long-playing records of various composers. Since 1986 he has been working with corrections of published editions of Bartók's music. DOROTHY LAMB CRAWFORD studied at the New England Conservatory, the Vienna Academy of Music, Harvard University, UCLA, USC, and Vassar College. As a concert performer she specialized in twentieth-century vocal works. She has taught on the music faculty of UCLA Extension and directed seminars for the Arnold Schoenberg Institute. From 1987 to 1994 she was host for broadcast interviews on Los Angeles classical radio stations. She is the author of Expressionism in Twentieth- Century Music ( 1993, with John C. Crawford) and Evenings on and off the Roof: Pio- neering Concerts in Los Angeles, 1939-1971 ( 1995). -xiii- |