The Faerie Queene a philosophical poem. Meaning obscured by (1) unfinished state, (2) change of plan. Proofs of change in structure and thought. Insertion of Aristotelian element. Date of reconstruction.
Importance to Spenser's philosophy of Mutabilitie Cantos. Affini- ties with Plotinus: (1) delight in world of sense, (2) stressing of mental element in that world. Corroboration of the digression. Upward-striving soul of Plotinus represented by Arthur.
Faerie Land the inner experience of each of us. Parallel with Wordsworth. Obscured because of anthropomorphic imagery of Elizabethans. Comparison of nineteenth-century 'fictions' with Elizabethan personifications. Spenser's art sophisticated.
Outward circumstance comprises (1) the world of physical nature, and (2) external events. Marriage of Thames and Medway and Marinell and Florimell examples of first; story of Hellenore and Malbecco, and Venus and Adonis myth of second. Light thrown on Spenser's attitude by Milton's work.
Importance of theme in Spenser's work due to (1) wide range of meaning covered by word, including organic relations in physical world, and great scale of emotions,--filial, sexual, friendly and religious love; (2) need of emotional chart in his age. Amoret in Faerie Queene, and Amoretti and Epithalamion complementary. Four Hymns attempt at synthesis of meanings of word. Love of Arthur for Gloriana, expression of ardent desire of life which is creative.
Spenser to contemporaries a philosophic and moral poet. Differs from Shakespeare (1) in giving spiritual quintessence of experience, (2) in generalizing. Examination of temptations of Mammon, of Wrath, and chief temptation to accidie. Opposed virtue would have been fully expressed in final book.
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