husband who wants to follow Clarissa's example: "My wife read to me that moving scene of the funeral of Miss Clarissa Harlow [sic]. Oh, may the Supreme Being give me grace to lead my life in such a manner as my exit may in some measure be like that divine creature's." 23 This double agenda of the universal and the particular can be fulfilled in the transparency of the textual event, as the text becomes both the unique expression of a subject's experience and a shared narrative through circulation and publication. The particular, therefore, must be translatable into the universal in order for transformation to take place. However, if we return to Pamela, we can begin to question the nature of the transformations effected by the sentimental narrative. If Mr. B. is transformed into a virtuous subject by Pamela's virtue, Pamela's narrative of resistance ironically transforms her into an acquies- cent wife. The question of who influences whose narrative becomes debat- able, as does the sentimental novel's apparent support of the dispossessed subject. What does take place is a narrative process that establishes a new kind of relationship between self and text, expanding the ways in which subjectivity can be imagined during this period of social and cultural tran- sition.
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Publication Information: Book Title: Virtue, Gender, and the Authentic Self in Eighteenth-Century Fiction: Richardson, Rousseau, and Laclos. Contributors: Christine Roulston - author. Publisher: University Press of Florida. Place of Publication: Gainesville, FL. Publication Year: 1998. Page Number: xx.
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