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INDEX (Note: Figures in italics refer to numbered plates and captions; all other figures refer to page numbers.) | | abbreviated technique; see gempitsu | | | Acalanatha; see Fudô Myô-ô | | | "Actor Bandô Mitsugorô, The," 43,
40 | | | Ajanta, 11 | | | Amida, 20, 21, 27, 1, 43, 90 ; images
of, 21, 23, 51, 59 | | | "Amida and Two Attendants," 10,
51 | | | Amidism; see Amida; Pure Land | | | sect | | | Amitabha; see Amida | | | Amoghapasa; see Fukô Kensaku.
Kannon | | | "Ancient Dance," 38 | | | Andô Hiroshige; see Hiroshige | | | animal caricatures, 25, 28, 10, 11, 14 | | | Aoki Mokubei, 41, 36 | | | architecture, Asuka period, 85, 86 ;
Edo period, 40, 98 - 100 ; Heian | | | period, 17, 18, 20 - 21, 90, 91 ;
Kamakura period, 29 - 30, 92, 93 ;
Momoyama period, 36 - 37, 97 ;
Muromachi period, 34, 35, 94 -
96 ; Nara period, 10, 11, 12 - 13,
18, 87 - 89 ; Prehistoric period, 4,
5, 84 ; residential, 22, 34, 37 ; and | | | tea ceremony, 35 | | | Asanga; see Muchaku | | | Asano Collection, 14 | | | Ashikaga, family, 27, 31, 34 ; Taka-
uji, 31, Yoshimasa, 34, Yoshi-
mitsu, 31, 34 | | | Ashiya (type of kettle), 35, 82 | | | Asiatic influences, 3, 5, 14, 3 ; see
also Chinese, Indian, Korean | | | Asuka period, 6 - 9 : architecture, 85 -
86 : ceramics, 9 ; metalwork, 9 ;
painting, 8 ; sculpture, 6 - 8, 10,
45 - 48 ; textiles, 8 - 9, 74 | | | atsuita (costume), 77 | | | "Autumn and Winter Landscapes,"
21 | | | Avalokitesvara; see Kannon | | | Azuchi, 36 - 37 | | | Basu Sennin, image of, 30, 63 | | | batik, 15, 16, 26 | | | "bay," defined, 12 | | | "Beauty," 42 | | | bell-like objects; see dôtaku | | | Bhaisajya-guru; see Yakushi Nyorai | | | Bishamon-ten, 9 | | | Bodhisattva, 14, 19 - 20, 1, 6, 17, 46,
49 | | | Brahma, 53 | | | brocade, 8 - 9, 16, 75 ; Kantô, 8 - 9, 74 | | | "brocade pictures"; see nishiki-e | | | bronze, sculpture, 6, 10, 45, 49 - 51 ;
metalwork, 4, 9, 83 | | | Buddha, at Nara, see Tôdaiji; of
sun and moon, 13, 53, 55 | | | "Buddha Head," 10, 50 | | | Buddhism, 6 - 7, 10, 11 - 12, 16 - 17,
19, 20, 23, 27, 34, 58 ; see also
Pure Land; Shingon; Tendai;
Zen | | | Buddhist, architecture, 6 - 7, 10 - 11,
12 - 13, 34, 85 - 96 ; painting, 6,
19, 24, 27 - 28, 1, 3 - 6, 8 - 9, 12,
17 ; sculpture, 6, 13, 20, 33 - 34.
45 - 57, 59 - 61, 63 | | | Buson; see Yosa Buson | | | Byôdô-in, Phoenix Hall, 21, 22, 23,
36, 59 | | | Candraprabhasa; see Gakkô Butsu | | | carving techniques, 20, 23 | | | castle architecture, 36 - 37, 40, 97 | | | cave dwellings, 5 | | | "Celebration under the Cherry Blos-
soms," 42, 26 | | | ceramics; see pottery; porcelain | | | Côzanne, 43 | | | Ch'ang-an, 11 | | | Chien-chôn; see Ganjin | | | Chinese influence, 3, 5, 7, 9 - 10, 23,
29, 31, 41, 45, 1, 3, 50, 71 | | | Chinese-style, architecture, 10, 29,
34, 85 - 86, 93 - 95 ; ceramics, 15, 31,
35, 65, lacquer ware, 80, paint-
ing, 11, 14, 15, 20, 24, 31 - 32, 33,
37, 21, 25, 28, sculpture, 7 - 8, 10,
13, 30, 45, 46, 52 | | | Ch'ing, 41, 44 | | | Chishô Daishi, 4 | | | Chô Densu; see Minchô | | | Chôgen, 29 | | | Chôgo Sonshi-ji, 9 | | | Chôjirô, 67 | | | Chou Mao-shu, 23 | | | "Chou Mao-shu Viewing the Lotus | | | Flowers," 33, 23 | | | Chronicles of Japan; see Nihon
Shoki | | | Chôgô-ji, 8, 48 | | | cinnabar, 13, 55, 62 | | | Cintamani; see Nyoirin Kannon | | | clay sculpture, 3, 4 - 5, 13, 44, 53 -
55, 61, 84 | | | clothing; see costume | | | Commission for the Protection of
Cultural Properties, 15, 36, 79 | | | Confucianism, 10, 41 | | | "Convenience of Farming," 41, 35 | | | "Cool Evening, A," 43 | | | costume, 25 - 26, 30 - 31, 35, 44 - 45,
76, 77 ; see also textiles | | | Daikan-daiji, 10 | | | Degas, 43 | | | Dengyô Daishi, 17 | | | densu, 32 | | | Deva Kings, Four, 13, 55 | | | Diamond Mandala, 18 | | | Dôkyô, 16 | | | domestic architecture; see architec-
ture, residential | | | Donchô, 1 | | | Donyô, 67 | | | door panels, painting on; see panel
paintings | | | doors, sliding, 34 | | | dôtaku, 5 - 6 | | | "double hall"; see sôdô | | | dry-lacquer; see lacquer ware | | | e-Oribe; see "Picture Oribe" | | | Eastern Pagoda, 10, 87 | | | Edo period, 39 - 45 ; architecture, 40,
98 - 100 ; lacquer ware, 45, 81 ;
painting, 40 - 42, 29 - 37, 42 ;
porcelain, 43 - 44, 69 - 73 ; pottery,
43 - 44, 68 ; textiles, 44 - 45, 77, 78 ;
woodblock prints, 42 - 43, 25, 38 -
41, 43 | | | Eitoku; see Kanô Eitoku | | | embroidery, 8, 16, 26, 31, 38, 76 | | | Engaku-ji, 29, 93 | | | "Enlightened Kings"; see Myô-ô | | | Enryaku-ji, 17, 18 | | | "esoteric" Buddhism, 17, 18, 19, 20 ;
see also Shingon; Tendai | | | feathers, used in painting, 14, 2 | | | "Fickle Type, The," 43, 39 | | | "Fifty-three Stages of the Tôkaidô,
The"; see "Tôkaidô, The Fifty-
three Stages of the" | | | "floating world," 42 | | | fortress; see castle | | | "Four Accomplishments, The," 40,
27, 32 | | | Four Deva Kings; see Deva Kings,
Four | | | "Frolic of the Animals," 25, 28, 10,
11, 14 | | | Fudô Myô-ô, 19, 4 | | | Fugen, Bodhisattva, 19 - 20, 6, 17 | | | "Fuji, Mt., Thirty-six Views of," 43,
41 | | | "Fuji, The Red"; see "Red Fuji,
The" | | | "Fuji in a Storm," 41 | | | "Fuji-san," 67 | | | Fujiwara, family, 17, 20, 27 ; Michi-
naga, 21 ; Mitsunaga, 13 ; Mitsu-
yoshi, 16 ; Nobuzane, 18 ; Taka- | -249- | | |
Questia, a part of Gale, Cengage Learning. www.questia.com
Publication Information: Book Title: Masterworks of Japanese Art. Contributors: Charles S. Terry - editor, Charles S. Terry - compiler. Publisher: Charles E. Tuttle Publishing. Place of Publication: Rutland, VT. Publication Year: 1956. Page Number: 249.
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