CHAPTER IV. CONDITIONS AFFECTING THE TIME OF PUBLICATION OF PLAYS Unless the claim to the acting rights were uncertain, as might be the case with a very old play only slightly modified for revival and with no clear title to the original version, it would seem to have been quite unnecessary that a play should be kept out of print by theatrical companies because of danger to stage-right. Possibly some companies or members of companies believed that it dulled the interest of a playgoer to have read their version of the play in advance. In every age there are some persons who entertain the childish idea that the plot of a play should be new to the playgoers. One must admit, how- ever, that much of the material used on the stage in Shake- speare's day must have been familiar in its broad outlines to many in the audience, so that any freshness must lie in the treatment of the tale. Heywood's statement that certain actors thought it against their peculiar interest to have a play in print, and the provision in the Whitefriars contract against putting one play ("Torrismont") into print before the expiration of a term of months, suggest a disposition to withhold plays from publication in order not to dull their interest. We are confronted with the fact that a large number of plays. were put into print, many of them with every evidence of authoritativeness, when there was a manifest intention to continue them upon the stage. Shirley, a professional playwright, evidently did not think publication of his play, The Royal Master, would kill the interest of the London public. The play was entered on the Stationers' Registers March 13, 1638, and published the same year. An acting licence was taken out after the entry for printing was made ( Var., III, 232). The play appeared as acted at the new theatre at Dublin, with the explanation: "Tis new and never yet personated; but expected with the first, when the English stage shall be recovered from her long silence, and her now languishing scene changed into a welcome return of wits and men." This advance publication was no doubt due to the plague, but there was no suggestion of giving up the performance because of previous publication. -262- |