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Steven Heine


HISTORY, TRANSHISTORY, AND NARRATIVE HISTORY: A POSTMODERN VIEW OF NISHITANI'S PHILOSOPHY OF ZEN
Truths are illusions whose illusionary nature has been forgotten. . . .
Nietzsche, Gay Science

Associate
Professor in the
Religious Studies
Program, Pennsylvania
State University

1. Nishitani and Postmodernism

One of the major contributions in Nishitani Keiji's modern philo-
sophical exposition of Zen is his discussion of the question of history in a
comparative light with Western religious, philosophical, and social scien-
tific approaches. Nishitani's main theme probably is the ideological
encounter between religion and science as well as religion and nihilism,
as critically seen from the standpoint of Buddhist emptiness (Śīnyatā), or
what Kyoto School thinkers refer to as absolute nothingness (zettai mu).
Yet, Jan Van Bragt comments in the introduction to his translation of
Nishitani Religion and Nothingness, "From within the Kyoto School, the
treatment of history in the final two essays [on "īnyatā and Time" and
"īnyatā and History"] has been received as the strongest and most
original part of the book. For the Western reader, on the other hand,
these chapters may well be the hardest to digest . . . [for] our view of
history seems to be systematically dismantled before our very eyes, stone
by stone." Further, in Nishitani "the whole construction [of history as an
objectifiable process] is reduced to so much rubble."1 For Van Bragt,
Nishitani's approach to history is significant in the way that he stimulates
other Kyoto School thinkers and at the same time "offends" (in the
positive Kierkegaardian sense) Westerners whose presuppostions are rad-
ically undercut by his penetrating analysis.

In his deconstruction of Western notions of history, Nishitani criti-
cizes the linear, teleological view implicit in Christian theocentrism and
secular anthropocentrism from the standpoint of the Zen philosophy of
circular time. According to Nishitani, both Western approaches are based
on an "optical illusion" in that they seek to locate the transhistorical
dimension by looking infinitely into the past for a beginning or indefinitely
into the future for an end, while failing to realize that "the beginning and
end of time in itself lie directly beneath the present, at its home-ground,
and it is there that they are to be sought originally."2 In contrast, Zen
emphasizes the spontaneity and creativity of a transhistorical, holistic
present moment which encompasses the historical continuity of past and
future in terms of an ever-renewable cyclicality and reversibility of time.
Nishitani's critique is greatly influenced by Nietzsche's refutation of the
Platonic-Christian world view in favor of the "innocence of becoming"
(Unschuld des Werdens), and he considers the notion of eternal recur-

Philosophy East & West
Volume 44, Number 2
April 1994
251-278
© 1994
by University of
Hawaii Press

-251-

Questia, a part of Gale, Cengage Learning. www.questia.com

Publication Information: Article Title: History, Transhistory, and Narrative History: a Postmodern View of Nishitani's Philosophy of Zen. Contributors: Steven Heine - author. Journal Title: Philosophy East & West. Volume: 44. Issue: 2. Publication Year: 1994. Page Number: 251.
    
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