| FIG. 62. | Rubens, Fall of the Damned (c. 1620). | 263 |
| FIG. 63. | Vermeer, Geographer (1669). | 264 |
| FIG. 64. | De Hooch, A Boy Bringing Pomegranates (1660-1663). | 266 |
| FIG. 65. | Velasquez, The Maids of Honor (1656). | 267 |
| FIG. 66. | Manet, A Bar at the Folies Bergère (1882). | 268 |
| FIG. 67. | Koninck, An Extensive Landscape with a Hawking Party (c. 1670). | 269 |
| FIG. 68. | Claude Lorraine, The Judgment of Paris (1645-46). | 270 |
| FIG. 69. | Neefs The Elder, Interior of Antwerp Cathedral. | 271 |
| FIG. 70. | J. van Ruysdael, View of Haarlem (c. 1670). | 272 |
| FIG. 71. | Turner, Venice, Santa Maria della Salute (1844). | 293 |
| FIG. 72. | Constable, Hove Beach (c. 1825). | 294 |
| FIG. 73. | Monet, Bathers at La Grenouillère (1869). | 296 |
| FIG. 74. | Manet, Luncheon on the Grass (1863). | 297 |
| FIG. 75. | Monet, Rouen Cathedral (1894). | 299 |
| FIG. 76. | Degas, After the Bath (1885). | 300 |
| FIG. 77. | Tissot, The Milliner's Shop (1883-85). | 304 |
| FIG. 78. | Van Gogh, Hospital Corridor at Saint Remy (1889). | 306 |
| FIG. 79. | Van Gogh, Bedroom at Arles (1888). | 308 |
| FIG. 80. | Seurat, Sunday Afternoon on the Island of La Grande Jatte (1884-86). | 310 |
| FIG. 81. | Seurat, Bathers (1883-84). | 311 |
| FIG. 82. | Cézanne, The Large Bathers (1898-1905). | 312 |
| FIG. 83. | Cézanne, The Basket of Apples (c. 1895). | 314 |
| FIG. 84. | Cézanne, The Turning Road at Montgeroult (1899). | 315 |
| FIG. 85. | Cézanne, Mont Sainte-Victoire (1885-1887). | 317 |
| FIG. 86. | Picasso, Les Demoiselles d'Avignon (1907). | 325 |
| FIG. 87. | Picasso, Girl with Mandolin (Fannie Teller) (early 1910). | 328 |
| FIG. 88. | Braque, Fishing Boats (1909). | 329 |
| FIG. 89. | Kandinsky, Composition No. 238: Bright Circle (1921). | 340 |
| FIG. 90. | Mondrian, Fox Trot B (1929). | 341 |
| FIG. 91. | Malevich, Dynamic Suprematism (1915-1918). | 343 |
| FIG. 92. | Newman, Adam (1951-1952). | 344 |
| FIG. 93. | Picasso, Girl Before a Mirror (1932). | 347 |
| FIG. 94. | Welliver, The Birches (1979). | 348 |
| FIG. 95. | Balla, Swift Paths of Movement and Dynamic Sequences (1913). | 350 |
| FIG. 96. | Duchamp, Nude Descending a Staircase, No. 2 (1912). | 351 |
| FIG. 97. | Pollock, Autumn Rhythm (1950). | 353 |
| FIG. 98. | Agam, Transparent Rhythms II (1967-68). | 356 |