"Meditation on Song and Structure" by Charles Wright from Black
Zodiac, Farrar Straus Giroux, 1997; "Domesday Song" by W. H. Auden
from Collected Poems, Random House, 1976; "Junk" by Richard Wilbur
from New and Collected Poems, Harcourt Brace, 1988; "A
Terre" and "Exposure" by Wilfred Owen from Collected Poems, New
Directions, 1964; "River Road" by Stanley Kunitz from The Poems of
Stanley Kunitz 1928-1978, Little Brown, 1979; "Overhearing Two on
a Cold Sunday Morning" by Robert Francis from Collected Poems
1936-1976, University of Massachusetts Press, 1976.

Alliterative Beowulf translations include Beowulf: An Imitative
Translation, translated by Ruth Lehmann, University of Texas Press,
1988; Beowulf, translated by Michael Alexander, Penguin Books,
1973; and Beowulf, translated by Edwin Morgan, University of Cali-
fornia Press, 1964. For a recent, non-alliterative translation see
Beowulf: A Translation and Commentary by Marc Hudson, Bucknell
University Press, 1990. See also "The Seafarer" by Ezra Pound in
Translations, New Directions, 1963.

"Blackie, the Electric Rembrandt" is in Thom Gunn Collected
Poems, Farrar Straus Giroux, 1994.

Further discussions of sound can be found in A Prosody Handbook by
Karl Shapiro and Robert Beum, Harper & Row, 1965, and Western
Wind by John Frederick Nims, Random House, 1974. Sound and Form
in Modern Poetry by Harvey Gross, University of Michigan Press,
1964, provides a historical overview of the latter part of the nine-
teenth century and the first half of the twentieth.

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