CONCORDANCES This subdivision has only been used for two books: the example shown below and a Bob Dylan concordance. These books provide an index to the words used in the songs of the Beatles and Bob Dylan. Campbell, Colin, and Allan Murphy. Things We Said Today: The Complete Lyrics and a Concordance to the Beatles' Songs, 1962-1970. Rock & Roll Reference Series, ed. Tom Schultheiss, no. 4. Ann Arbor, MI: Pierian Pr., 1980. il, i, h. CORRESPONDENCE This subdivision is used for books that are compilations of fan mail or other correspondence by the artist or group. Adler, Bill. Love Letters to the Monkees. New York: Popular Library, 1967. il, p. CRITICISM AND INTERPRETATION This subdivision is used for books in which the main purpose is to analyze, criticize and interpret the work or career of an artist or group. Riley, Tim. Hard Rain: A Dylan Commentary. New York: Knopf, 1992. i, b, d, h. DICTIONARIES, INDEXES, ENCYCLOPEDIAS This subdivision is used for detailed reference books about the artist or group. This includes dictionaries, indexes, encyclopedias, and other reference books not necessarily in an A to Z format. Worth, Fred L., and Steve Tamerius. Elvis: His Life from A to Z. Chicago: Contemporary, 1988. il, d, h. DISCOGRAPHY This subdivision is used for books in which the main focus is to provide a reference source for the recordings of an artist or group. Books that have a discography as part of an appendix are not included under this subdivision. They are listed under the heading most appropriate to the overall content of the book. Parkyn, Geoff, comp. Genesis: The Illustrated Discography. London: Omnibus, 1983. il, b, d, p. FICTION This subdivision is used for books which are fictional accounts about the artist or group. It also includes fictional stories based on the artist or group. It does not include novels written by the artist or group. These type of books are placed under the Writings subdivision. Yockey, R. Paul. New Kids On The Block: Between Brothers. The Novels. New York: Pocket Bks., Archway Paperbacks, 1991. p.
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