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NOTES
1. Several sources were helpful for this paper: F. Bowers, Japanese Theatre ( New York:
Hermitage House, 1952); E. Ernst, The Kabuki Theatre ( New York: Oxford University Press,
1956); A. C. Scott, The Kabuki Theatre of Japan ( New York: Macmillan, 1955); J. R. Brandon,
"Form in Kabuki Acting", and D. H. Shively, "The Social Environment of Tokugawa Kabuki", both
in Studies in Kabuki, J. R. Brandon (ed.), ( Honolulu: University Press of Hawaii, 1977).
2. S. M. Eisenstein, Film Form ( New York: Harcourt, Brace & World, 1949), p. 20.
3. Brandon, pp. 106-107.
4. Ibid., pp. 66-71.
5. T. Koji, "The Kabuki, the Shimpa, the Shingeki", in Japanese Music and Drama in the Meiji
Era, T. Komiya (ed.), trans. D. Keene ( Tokyo: Toyo Bunko, 1956), pp. 177-328.
6. Ernst, p. 76.
7. Bowers, p. 50.
8. B. Salt, "Film Style and Technology in the Forties", Film Quarterly vol. XXXI no. 1 (Fall
1977), p. 47.
9. E. Branigan, "The Space of Equinox Flower", Screen vol. 17 no. 2 (Summer 1976), p. 75.
10. B. Brewster, "The Fundamental Reproach (Brecht)", Ciné-Tracts vol. 1 no. 2 (Summer 1977),
p. 48.
11. Ibid., p. 45.
12. E. Branigan, "Formal Permutations of the Point-of-View Shot", Screen vol. 16 no. 3 (Fall
1975), pp. 54-64.

-106-

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Publication Information: Book Title: Cinema and Language. Contributors: Stephen Heath - editor, Patricia Mellencamp - editor. Publisher: University Publications of America. Place of Publication: Frederick, MD. Publication Year: 1983. Page Number: 106.
    
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