at this time inferior to those which it had produced a century be- fore,--this being, without doubt, due to the devotion of all energies to architectural constructions.
Scandinavia * and the other countries of the North stood, in ar- tistic respects, upon a far lower level than England. As buildings of wood continued to be erected during the entire Romanic epoch, monumental painting was so neglected that for many centuries it was unable to follow the advance made in other parts of Europe. The excessively long and lean figures, with their brown flesh-tints and cold, bright green, blue, and red draperies and backgrounds, such as were introduced at a comparatively recent period into the Church of Bjeresjo in Sweden, are rendered the more hideous and corpse-like by their closed eyes. Compared with that of Central Europe, the production of illuminated manuscripts was inconsidera- ble in these countries, and their carvings distinctly show how im- portant a feature of Northern ornamentation was the preference for monstrous forms.
N. M. Mandelgren, Monuments Scandinaviques du moyen-age, avec les peintures et autres ornements qui le decorent. Copenhague-Paris, 1855-1862.
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Publication Information: Book Title: History of Mediaeval Art. Contributors: Franz Von Reber - author, Joseph Thacher Clarke - transltr. Publisher: Harper & Brothers. Place of Publication: New York. Publication Year: 1887. Page Number: 439.
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