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aspect of the dialogues within her prose works which is necessarily
absent from the dialogues of drama proper. This is the unifying
authorial discourse which in dialogic prose gestures towards a
renunciation of its all-embracing perspective within the text, as well
as appealing for the reader's perspective to complement its own
from without. What I wish to do in the following pages is explore
what happens to this discourse on both levels of its attempted self-
relativization, and trace the way it unavoidably reasserts in both
spheres the authority it tries to renounce.

-9-

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Publication Information: Book Title: Reading Nathalie Sarraute: Dialogue and Distance. Contributors: Emer O'Beirne - author. Publisher: Oxford University. Place of Publication: Oxford. Publication Year: 1999. Page Number: 9.
    
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