ence of refrains need not "point straight to the singing and dancing throng." It is not proved that the ballad, in any sense, came first, or even that choral songs pre- ceded solos. It is likely enough that choral songs and solos co-existed from the beginning, or even that solos preceded, for all that can be certainly known. The as- sumption that group power to sing, to compose songs, and to dance, precedes individual power to do these things, 58 is fatuously speculative. It rests neither on "overwhelm- ing evidence" nor on probability. The individual ought to be able to engage in rhythmic motion, to compose tunes, and then to evolve words for these tunes, at least as early as he is able to do these things along with others of his kind. And let it be said again that it is safer to affirm that the primitive lyric, whether individual or choral, is not the ballad but the song -- more strictly, the songlet.
Erich Schmidt ( "Anfänge der Literatur," p. 9, in Kultur der Gegenwart, Leipzig, 1906, I) writes: . . . schon weil keine Masse nur den einfachsten Satz unisona improvisieren kann und alle romantischen Schwärmereien von der urheberlos singenden "Volks- seele" eitel Dunst sind, muss sich Sondervortag und Massenaus- bruch sehr früh gliedern. Einer schreit zuerst, einer singt und springt zuerst, die Menge macht es ihm nach, entweder treulich oder indem sie bei unartikulierten Refrains, bei einzelnen Worten, bei wiederkehrenden Sätzen beharrt.
In this connection, since it deserves to be cited somewhere, may be quoted a passage from von Humboldt: "The Indians pretend that when the araguatos [howling monkeys] fill the forests with their howling, there is always one that chants as leader of the chorus."-- A. von Humboldt, Travels in the Equinoctial Regions of America, Bohn edition, vol. II, p. 70.
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Publication Information: Book Title: Poetic Origins and the Ballad. Contributors: Louise Pound - author. Publisher: The Macmillan Company. Place of Publication: New York. Publication Year: 1921. Page Number: 35.
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