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Examining the politics of the French Revolutionary tradition during the nineteenth century Bourbon Restoration and early July Monarchy, Robert Alexander argues that political struggle was not confined to the elite. The Restoration Liberal Opposition developed a reform tradition based on legal ...

Examining the politics of the French Revolutionary tradition during the nineteenth century Bourbon Restoration and early July Monarchy, Robert Alexander argues that political struggle was not confined to the elite. The Restoration Liberal Opposition developed a reform tradition based on legal organization and persuasion, which would prove far more effective in achieving progressive change than the revolutionary tradition of conspiracy and insurrection. Alexander analyzes relations among the Liberal Opposition, ultra-royalists and the state to support his claims.

"Of Greenwood's series of five historical dictionaries covering modern France from the Revolution through the Third Republic, this is the longest. Perhaps this reflects changes in historiography that find historians such as David Pinckney affirming the importance of this lesser-known era in the ...

"Of Greenwood's series of five historical dictionaries covering modern France from the Revolution through the Third Republic, this is the longest. Perhaps this reflects changes in historiography that find historians such as David Pinckney affirming the importance of this lesser-known era in the formation of modern French society and institutions. . . . The numerous entries by Guillaume de Bertier de Sauvigny, the ranking authority on the period, assure the prestige of the work. Highly recommended for college and university libraries." Choice

Moliere's anticlerical comedy Tartuffe is the unique prism through which Sheryl Kroen views postrevolutionary France in the years of the Restoration. Following the lead of the French men and women who turned to this anticlerical play in the 1820s to make sense of their world, Kroen exposes the ...

Moliere's anticlerical comedy Tartuffe is the unique prism through which Sheryl Kroen views postrevolutionary France in the years of the Restoration. Following the lead of the French men and women who turned to this anticlerical play in the 1820s to make sense of their world, Kroen exposes the crisis of legitimacy defining the regime in these years and demonstrates how the people of the time made steps toward a democratic resolution to this crisis. Moving from the town squares, where state and ecclesiastical officials orchestrated their public spectacles in favor of the monarchy, to the theaters, where the French used Tartuffe to mock the restored monarch and the church, this cultural history of the Restoration offers a rich and colorful portrait of a period in which critical legacies of the revolutionary period were played out and cemented. While most historians have characterized the Restoration as a period of reaction and reversal, Kroen offers convincing evidence that the Restoration was a critical bridge between the emerging practices of the Old Regime, the Revolution, and the post-1830 politics of protest. Looking beyond the official political realm from which most people were excluded, Kroen vividly evokes the town squares, marketplaces, cafes, churches, and theaters where protesters penned and posted placards, uttered seditious cries, sang revolutionary songs, trafficked in the illegal accoutrements of the revolutionary and imperial past, attacked crosses and busts of kings, and organized charivaris against unpopular priests and civil officials.

Kroen re-creates the atmosphere of Restoration France and at the same time brings major nineteenth-century themes into focus: memoryand commemoration, public and private spheres, politics and religion, anticlericalism, and the formation of democratic ideologies and practices. Of value to anyone interested in the complicated process of how political legit