Your search for: Seamus AND Heaney

Coleridge repeatedly announced the merits of unity, while experiencing the truth of division. A visionary drawn to the numinous, he was also a spontaneous connoisseur of the sensory life; a metaphysician inclined to idealism, his thought was permanently way-laid by a tenacious realism. Such ...

Coleridge repeatedly announced the merits of unity, while experiencing the truth of division. A visionary drawn to the numinous, he was also a spontaneous connoisseur of the sensory life; a metaphysician inclined to idealism, his thought was permanently way-laid by a tenacious realism. Such double-mindedness frustrated his ambitions for system, and has often been criticised as a sort of incapacity; but the capability of entertaining equally necessary or valuable kinds of perception, which yet prove ultimately incompatible, might alternatively be thought a kind of virtue - even, perhaps, the secret of his paradoxical, self-defeating genius. The study examines Coleridge's formative double-vision as it manifests itself in his profound self-analysis, his philosophy of mind, his reflections on love and ethics, his descriptions of imagination, and his literary criticism. The focus of many of these mixed feelings is the ambiguous figure of Wordsworth: his momentous and often troubled partnership with Coleridge is examined in detail. Throughout, close attention is paid to Coleridge the writer, the metaphor-maker and stylist, exhibited across the wide range of his oeuvre, in public and private works, prose and poetry. A coda offers a reading of The Ancient Mariner, tracing back the central threads of the study to Coleridges early and surprising masterpiece.

Irish literature after Yeats and Joyce, from the 1920s onwards, includes texts which have been the subject of much contention. For a start how should Irish literature be defined: as works which have been written in Irish or as works written in Englsih by the Irish? It is a period in which ideas of ...

Irish literature after Yeats and Joyce, from the 1920s onwards, includes texts which have been the subject of much contention. For a start how should Irish literature be defined: as works which have been written in Irish or as works written in Englsih by the Irish? It is a period in which ideas of Ireland--of people, community, and nation--have been both created and reflected, and in which conceptions of a distinct Irish identity have been articulated, defended, and challenged; a period which has its origins in a time of intense political turmoil. `after Yeats and Joyce' also suggests the immense influence of these two writers on the style, stances, and preoccupations of twentieth-century Irish literature. Neil Corcoran focuses his chapter on various themes such as `the Big House', the rural and provincial, with reference to authors from Kinsella and Beckett to William Trevor, Seamus Heaney, and Mary Lavin, providing a lucid and far-reaching introduction to modern Irish writing.

Anomalous States is an archaeology of modern Irish writing. David Lloyd commences with recent questioning of Irish identity in the wake of the northern conflict and returns to the complex terrain of nineteenth-century culture in which those questions of identity were first formed. In five linked ...

Anomalous States is an archaeology of modern Irish writing. David Lloyd commences with recent questioning of Irish identity in the wake of the northern conflict and returns to the complex terrain of nineteenth-century culture in which those questions of identity were first formed. In five linked essays, he explores modern Irish literature and its political contexts through the work of four Irish writers - Heaney, Beckett, Yeats, and Joyce. Beginning with Heaney and Beckett, Lloyd shows how in these authors the question of identity connects with the dominance of conservative cultural nationalism and argues for the need to understand Irish culture in relation to the wider experience of colonized societies. A central essay reads Yeats's later works as a profound questioning of the founding of the state. Final essays examine the gradual formation of the state and nation's one element in a cultural process that involves conflict between popular cultural forms and emerging political economies of nationalism and the colonial state. Modern Ireland is thus seen as the product of a continuing process in which, Lloyd argues, the passage to national independence that defines Ireland's post-colonial status is no more that a moment in its continuing history. Anomalous States stands at the intersection of two strands of debate: that of culture and politics in contemporary Ireland and that of post-colonialism and cultural politics, for which Irish history furnishes an invaluable example.