Your search for: african AND americans AND in AND film

A groundbreaking history of African Americans' role in the development of the American West.

The American West is mistakenly known as a region with few African Americans and virtually no black history. In Search of the Racial Frontier challenges that view in a rich, complex chronicle of western ...

A groundbreaking history of African Americans' role in the development of the American West.

The American West is mistakenly known as a region with few African Americans and virtually no black history. In Search of the Racial Frontier challenges that view in a rich, complex chronicle of western African Americans that begins in 1528 with the Spanish explorer Esteban's arrival in Texas, followed by hundreds of Spanish-speaking blacks.

In 1848 English-speaking blacks arrived -- as slaves -- creating the nucleus of post-Civil War communities. Thousands of African Americans thereafter migrated to the high plains while others drove cattle up the Chisholm Trail or served on remote army outposts. Mormon slave Bridget "Biddy" Mason reached Utah in 1847, gained freedom in California, and in 1872 founded Los Angeles's first black church. The West's black civil rights movement began in San Francisco during the Civil War when women challenged the city's streetcar segregation.

This richly peopled story carries forward to the twentieth century when World War II migration increased black populations in western cities tenfold and intensified the region's civil rights movement during the 1960s, paving the way for black success in Western politics and a surging interest in multiculturalism.

This collection of papers encourages social and biological scientists to question their presentations of African Americans and to recognize that afrocentricity is important in refocusing portrayals of African Americans. It contrasts the production of these cultural portrayals by the majority of the ...

This collection of papers encourages social and biological scientists to question their presentations of African Americans and to recognize that afrocentricity is important in refocusing portrayals of African Americans. It contrasts the production of these cultural portrayals by the majority of the U.S. population with those by African Americans themselves. It shows the process of creating a racial identity as well as the historical background related to a new evaluation of what it is to be African American in the United States.

This is a comprehensive guide to the black experience both on film and behind the camera. More than 6,000 entries documenting global film activity from 1919 to 1990 offer historical perspective on the black image in film, bibliographical materials on filmmakers and individual artists, and exciting ...

This is a comprehensive guide to the black experience both on film and behind the camera. More than 6,000 entries documenting global film activity from 1919 to 1990 offer historical perspective on the black image in film, bibliographical materials on filmmakers and individual artists, and exciting information on newly emerging talent throughout the world. Gray furnishes valuable supplementary material in two appendixes which list reference works and film resource locations, and separate indexes keyed by artist, title, subject, and author.

This comprehensive reference book provides succinct information on almost thirteen hundred musical stage works written and produced from the 1870s to the 1990s involving contributions by black librettists, lyricists, composers, musicians, producers, or performers or containing thematic materials ...

This comprehensive reference book provides succinct information on almost thirteen hundred musical stage works written and produced from the 1870s to the 1990s involving contributions by black librettists, lyricists, composers, musicians, producers, or performers or containing thematic materials relevant to the black experience. Organized alphabetically, they include tent and outdoor shows, vaudeville, operas and operettas, comedies, farces, spectacles, revues, cabaret and nightclub shows, children's musicals, skits, one-act musicals, one-person shows, and even a musical without songs. In addition to the hundreds of shows independently created, produced, and performed by black writers and theatrical artists, it presents hundreds more representing a collaboration of black and white talents. An appendix organizes the shows chronologically and highlights those that were most significant in the history of the black American musical stage. An extensive bibliography and indexes of names, songs, and subjects complete the work.

Written by the most prominent of the new generation of historians, this superb volume offers the most up-to-date and authoritative account available of African-American history, ranging from the first Africans brought as slaves into the Americas, to today's black filmmakers and politicians. Here is ...

Written by the most prominent of the new generation of historians, this superb volume offers the most up-to-date and authoritative account available of African-American history, ranging from the first Africans brought as slaves into the Americas, to today's black filmmakers and politicians. Here is a panoramic view of African American life, rich in gripping first-person accounts and short character sketches that invite readers to relive history as African Americans experienced it. We begin in Africa, with the growth of the slave trade, and follow the forced migration of what is estimated to be between ten and twenty million people, witnessing the terrible human cost of slavery in the colonies of England and Spain. We read of the Haitian Revolution, which ended victoriously in 1804 with the birth of the first independent black nation in the New World, and of slave rebellions and resistance in the United States in the years leading up to the Civil War. There are vivid accounts of the Civil War and Reconstruction years, the backlash of notorious "Jim Crow" laws and mob lynchings, and the founding of key black educational institutions. The contributors also trace the migration of blacks to the major cities, the birth of the Harlem Renaissance, the hardships of the Great Depression and the service of African Americans in World War II, the struggle for Civil Rights in the 1950s and '60s, and the emergence of today's black middle class. From Harriet Tubman and Frederick Douglass to Martin Luther King, Jr., and Louis Farrakhan, To Make Our World Anew is an unforgettable portrait of a people.