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Characterized by fast-paced, highly danceable rhythms, Chutney is a fusion of traditional and contemporary Indian and Caribbean influences. With its roots in the OutsHindi folk songs performed at birth and wedding ceremonies, Chutney has recently emerged in contemporary Indian-Caribbean life and has ...

Characterized by fast-paced, highly danceable rhythms, Chutney is a fusion of traditional and contemporary Indian and Caribbean influences. With its roots in the OutsHindi folk songs performed at birth and wedding ceremonies, Chutney has recently emerged in contemporary Indian-Caribbean life and has gone largely unrecognized in the body of scholarly literature.

In this volume Tina K. Ramnarine explores the evolution of Chutney and introduces the emerging Indian-Caribbean genre into the arena of scholarly discourse about music. Through analysis of the music, Ramnarine provides insights into social processes, effects of the diasporic settlements, and ways the music operates as a symbol of Indian-Caribbean identity. Some of the Indian elements in Chutney are not traditional, rather they are new ideas incorporated into the construction of the Indian-Caribbean identity. This introduction of new cultural elements is a common occurrence among people who have been transplanted to an unfamiliar geographical and cultural environment.

This comprehensive reference book provides succinct information on almost thirteen hundred musical stage works written and produced from the 1870s to the 1990s involving contributions by black librettists, lyricists, composers, musicians, producers, or performers or containing thematic materials ...

This comprehensive reference book provides succinct information on almost thirteen hundred musical stage works written and produced from the 1870s to the 1990s involving contributions by black librettists, lyricists, composers, musicians, producers, or performers or containing thematic materials relevant to the black experience. Organized alphabetically, they include tent and outdoor shows, vaudeville, operas and operettas, comedies, farces, spectacles, revues, cabaret and nightclub shows, children's musicals, skits, one-act musicals, one-person shows, and even a musical without songs. In addition to the hundreds of shows independently created, produced, and performed by black writers and theatrical artists, it presents hundreds more representing a collaboration of black and white talents. An appendix organizes the shows chronologically and highlights those that were most significant in the history of the black American musical stage. An extensive bibliography and indexes of names, songs, and subjects complete the work.

"Chireau has written a marvelous text on an important dimension of African-American religious culture. Expanding beyond the usual focus of scholarship on Christianity, she describes and analyzes the world of magical-medical-religious practice, challenging hallowed distinctions among "religion" and ...

"Chireau has written a marvelous text on an important dimension of African-American religious culture. Expanding beyond the usual focus of scholarship on Christianity, she describes and analyzes the world of magical-medical-religious practice, challenging hallowed distinctions among "religion" and "magic." Anyone interested in African-American religion will need to reckon seriously with Chireau's text on conjure."--Albert J. Raboteau, Princeton University

"Deprived of their own traditions and defined as chattel, enslaved Africans formed a new orientation in America. Conjuring--operating alongside of and within both the remnants of African culture and the acquired traditions of North America--served as a theoretical and practical mode of deciphering and divining within this, enabling them to create an alternate meaning of life in the New World. Chireau's is the first full-scale treatment of this important dimension of African American culture and religion. A wonderful book!"--Charles H. Long, Professor of History of Religions University of California, Santa Barbara and author of "Significations: Signs, Symbols and Images in the Interpretation of Religion

This pioneering study of the African short story offers a two-part approach to a literary form that has long been neglected by scholars on the continent. Balogun first offers a general survey method and approach for close textual analysis, followed by discussions of two representative writers. The ...

This pioneering study of the African short story offers a two-part approach to a literary form that has long been neglected by scholars on the continent. Balogun first offers a general survey method and approach for close textual analysis, followed by discussions of two representative writers. The work of Achebe, a traditional realist, and Taban lo Liyong, a post-modernist experimentalist, is examined for general themes and structures. Detailed examinations of Achebe's Girls at War and lo Liyong's Fixions and The Uniformed Man are also included.