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This work combines Jungian analysis with certain West African religious principles in an examination of fictional characterizations of white women in African-American literature. Taking neither a purely African nor Western approach to the material, the author offers analyses of white women as the ...

This work combines Jungian analysis with certain West African religious principles in an examination of fictional characterizations of white women in African-American literature. Taking neither a purely African nor Western approach to the material, the author offers analyses of white women as the terrible mother, the bitch goddess, the seductress, the initiator, the femme fatale, the benevolent witch, and the confidant. Both the particular stereotypes of white women and their mythic roles are explored, in terms of both social and mythical archetypes.

Contemporary women writers in these two societies are still writing about similar issues as did earlier generations of women, such as exclusions from discourses of nation, a problematic relationship to place and belonging, relations with indigenous people and the way in which women's subjectivity ...

Contemporary women writers in these two societies are still writing about similar issues as did earlier generations of women, such as exclusions from discourses of nation, a problematic relationship to place and belonging, relations with indigenous people and the way in which women's subjectivity has been constructed through national stereotypes and representations. This book describes and analyses some contemporary responses to 'writing woman, writing place' through close readings of particular texts that explore these issues. Three main strands run through the readings offered in Writing Woman, Writing Place - the theme of violence and the violence of representational practice itself, the revisioning of history, and the writers' consciousness of their own paradoxical subject-position within the nation as both privileged and excluded. Texts by established writers from both Australia and South Africa are examined in this context, including international prize-winning novelists Kate Grenville and Thea Astley from Australia and Nadine Gordimer from South Africa, as well as those by newly-emerging and younger writers. This book will be of essential interest to students and academics within the fields of Postcolonial Literature and Women's Writing.