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This work is the first to study the writings of Nicolas Guillen and Aime Cesaire in a comparative framework, exploring their poetry as the exemplification of Negritude art and Caribbean writing. Using non-canonical theories of literary and cultural analysis, Kubayanda proposes and demonstrates an ...

This work is the first to study the writings of Nicolas Guillen and Aime Cesaire in a comparative framework, exploring their poetry as the exemplification of Negritude art and Caribbean writing. Using non-canonical theories of literary and cultural analysis, Kubayanda proposes and demonstrates an original Caribbean poetics, anchored in Africa's cultural systems and linked to Afro-American protest thought. Focusing on race, culture, roots, and history, the book discusses the relationships between creative writing, the idea of Africa, and the rediscovery of African values in the Caribbean.

There has been an explosion of interest in Francophone studies, as postcolonial and diaspora literatures more generally have gained recognition both within and outside the academy. Identity, culture and history as well as issues relating to class, race, and colonialism, and the literary production ...

There has been an explosion of interest in Francophone studies, as postcolonial and diaspora literatures more generally have gained recognition both within and outside the academy. Identity, culture and history as well as issues relating to class, race, and colonialism, and the literary production itself have always been central to Caribbean Francophone culture and are matters currently of hot debate. From the growth of the negritude movement, principally associated with poetry, through to the rise of the novel, contributors to this book explore the theoretical, political and philosophical debates that have informed, and continue to inform, the rich and varied tradition of Caribbean Francophone literature.In recent years, the number of Francophone Caribbean women writers has increased significantly and experimental writing has featured more prominently. Contributors explore these and other trends, mainly in the literatures of Guadeloupe and Martinique. In providing the only available overview of this important literature and in positioning it critically, this book makes an invaluable contribution to students and scholars alike.

A comprehensive historical and theoretical study of the "creolization" process and its relevance to both colonial and postcolonial literatures, this book focuses for the most part on novels from or about the French Caribbean.

It examines the ways in which colonial authors such as Bernardin de ...

A comprehensive historical and theoretical study of the "creolization" process and its relevance to both colonial and postcolonial literatures, this book focuses for the most part on novels from or about the French Caribbean.

It examines the ways in which colonial authors such as Bernardin de Saint-Pierre and Victor Hugo, as well as such contemporary writers as Edouard Glissant and Daniel Maximin, have represented the process of cultural mixing and (con)fusion to which, under a variety of names (creolization, hybridity, metissage), postcolonial theorists have increasingly turned in order to understand the complexities of cultural identity in today's transnational world. Notwithstanding the obvious differences separating colonial and postcolonial literatures, Islands and Exiles emphasizes their entanglements, mapping out a middle ground in which they are ambivalently linked to one another.

An introductory section shows how colonial and postcolonial literatures are joined in a relation of epistemic complicity that the author designates with the word "post/colonial". That relation is exemplified by the intertextual links binding together Daniel Defoe's colonial classic Robinson Crusoe and J. M. Coetzee's postcolonial rewriting of it, Foe.

Subsequent chapters include an analysis of the central text of Enlightenment exoticism, Bernardin's Paul et Virginie; overviews of Glissant's novels as well as his theoretical discussions of creolization; an examination of fictional representations of the Haitian revolution (such as Hugo's Bug-Jargal and William Faulkner's Absalom, Absalom!); and an extended consideration of nineteenth-century Martiniquan literature and politics.

The bookconcludes with a reading of New Zealander Keri Hulmes's the bone people, in which the author summarizes his core argument: namely, that in discussions of cultural identity, we need to maintain a fine balance between promoting the hy