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"Hill places great importance on the jest as he traces examples from Genesis to Grimm to Freud, but he never lets his scholarly investigation of the subject grow heavy and dull. His writing style and brilliant observations laced with displays of his own wit propel the reader from start to conclusion ...

"Hill places great importance on the jest as he traces examples from Genesis to Grimm to Freud, but he never lets his scholarly investigation of the subject grow heavy and dull. His writing style and brilliant observations laced with displays of his own wit propel the reader from start to conclusion of this fascinating study."_South Atlantic Review"Freedom begets wit and wit begets freedom."-Jean Paul.Witz first became a burning issue for German intellectuals after 1671 when le Père Dominique Bonhours in his Entretiens d'Artiste et d'Eugène informed them that they didn't have any. According to Bonhours, it wasn't really the Germans' fault that they were a little dim, it is just that they live in a cold climate and tend to be fat. A feud between French bel esprit and German Intellekt erupted that has persisted ever since.Scholarly investigations into the nature of the joke have traditionally been plagued by a bad conscience and invariably begin with an apology to the reader for taking time for such a frivolous subject. In breaking with this tradition, Hill places wit almost at the heart of the universe, tracing it from Genesis to the dawn of themodern age. Even if the reader is reluctant to grant Witz this metaphysical and world-historical status, it must at least be admitted that Witz cannot be dismissed as a just a joke.Witz can serve either builders or destroyers, defenders of the faith or heretics, diplomats or oafs, male chauvinists or radical feminists. Witz shows its volatility in setting up cultural, class, and gender boundaries just to smash them. Hill argues that there is something about Witz that makes it quintessential to the plight of modern culture. He views Witz as an ahistorical subject developing over time and transcending the lifespans and intentions of the authors who have wirtten with or about it.In Der Witz, for instance, Freud thougth he was describing the workings of a historical psychological process, but the material he works with betrays him. His examples twist, mock, and undermine the theories he makes about them. And though Fred wrote dismissively of it, there is a long history of Witztheorie from which his own sprang. It has a long history through which its meaning shifts many times. The very word Witz was fought over, sometimes sluggishly and between buffoons but often with a brilliance that gave it lustre.

This, the fifth volume of the Clarendon Press edition of Robert Burton's Anatomy of Melancholy, contains commentary on the text from Partition 1, Section 2, Member 4, Subsection 1 until the end of Part. 1, and on the whole of the second Partition. It thus concludes Burton's account of the causes ...

This, the fifth volume of the Clarendon Press edition of Robert Burton's Anatomy of Melancholy, contains commentary on the text from Partition 1, Section 2, Member 4, Subsection 1 until the end of Part. 1, and on the whole of the second Partition. It thus concludes Burton's account of the causes, the symptoms, and the prognosis of melancholy, and his examination of the remedies for the disease both spiritual and medical. As before, the aim of the commentary is to aid the reader to understand Burton's meaning (to which end all the passages in Latin are translated) and to identify the sources of his many quotations from and references to other authors. The third and last volume of the commentary, and of the edition, will contains a full Bibliography of these authors and brief biographical notes on them.