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"Far out to sea the water is as blue as the petals of the loveliest cornflower, and as clear as the purest glass, but it is very deep, deeper than any anchorage chain can reach, and many church towers would have to be put one on top of another to reach from the bottom to the surface of the water ...

"Far out to sea the water is as blue as the petals of the loveliest cornflower, and as clear as the purest glass, but it is very deep, deeper than any anchorage chain can reach, and many church towers would have to be put one on top of another to reach from the bottom to the surface of the water. Down there live the mer-folk." From the very beginning of "The Little Mermaid" we know we are in the hands of a master storyteller. Hans Andersen wrote over one hundred sixty fairy tales and stories and this collection features twenty-six of his very best tales. Chosen and translated by L.W. Kingsland, the stories in this collection are perfect for reading aloud. They include all the old favorites, along with some less familiar stories, such as The Travelling Companion and Soup on a Sausage Stick. In Hans Andersen's world you will encounter the dog with eyes as big as towers, tiny Thumbelina who sleeps in a walnut shell, the terrifying Snow Queen and the sad little Mermaid, the steadfast tin soldier, the ugly duckling, and a throng of other characters, all touched by the special charm of their creator. As Andersen himself says, "Well, now, let's begin and when we come to the end of the story we shall know more than we do now!"

In The Witch Must Die, Sheldon Cashdan explores how fairy tales help children deal with psychological conflicts by projecting their own internal struggles between good and evil onto the battles enacted by the characters in the stories. Not since Bettelheim's The Uses of Enchantment has the ...

In The Witch Must Die, Sheldon Cashdan explores how fairy tales help children deal with psychological conflicts by projecting their own internal struggles between good and evil onto the battles enacted by the characters in the stories. Not since Bettelheim's The Uses of Enchantment has the underlying significance of fantasy and fairy tales been so insightfully and entertainingly mined.

Introduction by Derek Brewer.The aim of this book is to discuss the characteristics of the traditional fairy tale in Europe and North America, and various theories of its development and interpretation. The book deals with the main collections - the Grimm brothers, Hans Andersen, Perrault and ...

Introduction by Derek Brewer.The aim of this book is to discuss the characteristics of the traditional fairy tale in Europe and North America, and various theories of its development and interpretation. The book deals with the main collections - the Grimm brothers, Hans Andersen, Perrault and Afanes'ev - and with the development of tales in various regions of Europe, including Ireland, Wales, Scandinavia, Germany and Russia, as well as India, where it was once claimed that they originated.The subject of the fairy tale is a controversial one: problems discussed here include the relationship between tales recorded from story-tellers and literary works, the importance of printed works for the spread of the tales, the growth of recent examples with a feminine approach, the spread of popular tales like Cinderella, special types like the cumulative tales, possible effects of TV, and the nature of traditional plots and characters. Above all, we have been concerned with the distribution and long survival of these tales, and the nature of their appeal.SHORTLISTED FOR THE KATHARINE BRIGGS FOLKLORE AWARD 2004.Contributors: GRAHAM ANDERSON, DAVID BLAMIRES, RUTH BOTTIGHEIMER, DEREK BREWER, MARY BROCKINGTON, ANNA CHAUDHRI, HILDA ELLIS DAVIDSON, ROBIN GWYNDAF, BENGT HOLBEK, DAVID HUNT, REIMUND KVIDELAND, PATRICIA LYSAGHT, NEIL PHILIP, JAMES RIORDAN, PAT SCHAEFER, TOM SHIPPEY, JOYCE THOMAS.