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How did the Anglo-Saxons conceptualise the interim between death and Doomsday? In Paradise, Death and Doomsday in Anglo-Saxon Literature, Dr. Kabir presents the first investigation into the Anglo-Saxon belief in the "interim paradise" or paradise as a temporary abode for good souls following death ...

How did the Anglo-Saxons conceptualise the interim between death and Doomsday? In Paradise, Death and Doomsday in Anglo-Saxon Literature, Dr. Kabir presents the first investigation into the Anglo-Saxon belief in the "interim paradise" or paradise as a temporary abode for good souls following death and pending the final decisions of Doomsday. She determines the origins of this distinctive sense of paradise within early Christian polemics, establishes its Anglo-Saxon development as a site of contestation and compromise, and argues for its post-Conquest transformation into the doctrine of purgatory.

What makes English literature English ? This question inspires Stephen Harris's wide-ranging study of Old English literature. From Bede in the eighth century to Geoffrey of Monmouth in the twelfth, Harris explores the intersections of race and literature before the rise of imagined communities ...

What makes English literature English ? This question inspires Stephen Harris's wide-ranging study of Old English literature. From Bede in the eighth century to Geoffrey of Monmouth in the twelfth, Harris explores the intersections of race and literature before the rise of imagined communities. Harris examines possible configurations of communities, illustrating dominant literary metaphors of race from Old English to its nineteenth-century critical reception. Literary voices in the England of Bede understood the limits of community primarily as racial or tribal, in keeping with the perceived divine division of peoples after their languages, and the extension of Christianity to Bede's Germanic neighbours was effected in part through metaphors of family and race. Harris demonstrates how King Alfred adapted Bede in the ninth century; how both exerted an effect on Archbishop Wulfstan in the eleventh; and how Old English poetry speaks to images of race.

Humour is rarely seen to raise its indecorous head in the surviving corpus of Old English literature, yet the value of reading that literature with an eye to humour proves considerable when the right questions are asked. Humour in Anglo-Saxon Literature provides the first book-length treatment of ...

Humour is rarely seen to raise its indecorous head in the surviving corpus of Old English literature, yet the value of reading that literature with an eye to humour proves considerable when the right questions are asked. Humour in Anglo-Saxon Literature provides the first book-length treatment of the subject. In all new essays, eight scholars employ different approaches to explore humor in such works as Beowulf and The Battle of Maldon, the riddles of the Exeter Book, and Old English saints' lives. An introductory essay provides a survey of the field, while individual essays push towards a distinctive theory of Anglo-Saxon humour. Through its unusual focus, this collection will provide an appealing introduction to both famous and lesser-known works for those new to Old English literature, while those familiar with the usual contours of Old English literary criticism will find here the value of a fresh approach. Contributors: JOHN D. NILES, T.A. SHIPPEY, RAYMOND P. TRIPP JR, E.L. RISDEN, D.K. SMITH, NINA RULON-MILLER, SHARI HORNER, HUGH MAGENNIS.JONATHAN WILCOX is Associate Professor of English at the University of Iowa and editor of the Old English Newsletter.Although the question of humour in the surviving corpus of Old English literature has rarely been discussed, the potential for analyzing this literature in terms of its humor is in fact considerable. In the essays especially commissioned for this volume, the first book-length treatment of Anglo-Saxon humor, eight of the foremost scholars in the field use different approaches to explore humor in the surviving literature of Anglo-Saxon England, in such works as Beowulf and The Battle of Maldon, the riddles of the Exeter book, and Old English saints' lives. The articles are prefaced with an introduction surveying the field. Through its unusual focus, this collection will provide an appealing introduction to both famous and lesser-known works for those new to Old English literature, while those familiar with the usual contours of Old English literary criticism will find here the value of a fresh approach.JONATHAN WILCOX is Associate Professor of English at the University of Iowa and editor of the Old English Newsletter.

Katherine Scarfe Beckett is concerned with representations of the Islamic world in Anglo-Saxon England. Using a variety of literary, historical and archaeological evidence, Beckett argues that the first perceptions of Arabs, Ismaelites and Saracens were derived from Christian exegesis. These ...

Katherine Scarfe Beckett is concerned with representations of the Islamic world in Anglo-Saxon England. Using a variety of literary, historical and archaeological evidence, Beckett argues that the first perceptions of Arabs, Ismaelites and Saracens were derived from Christian exegesis. These perceptions preconditioned Western expressions of hostility and superiority towards peoples of the Islamic world, and these received ideas prevailed over actual experience.