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""The Perreaus and Mrs. Rudd is stunningly wrought. Anyone with the slightest interest in crime or its history, in the press and sensationalism, in the cultural history of modern economic and urban life, in London or eighteenth century England could not fail to be intrigued by the stories of two ...

""The Perreaus and Mrs. Rudd is stunningly wrought. Anyone with the slightest interest in crime or its history, in the press and sensationalism, in the cultural history of modern economic and urban life, in London or eighteenth century England could not fail to be intrigued by the stories of two identical twin brothers--one good, happily married and respectable, the other not so good and living with a courtesan--who die hand-in-hand on the gallows. Are they the victims of their own corruption, or of the wiles of the wicked Mrs. Rudd? This book is micro-history at its best."--Thomas Laqueur, author of "Making Sex: Body and Gender from the Greeks to Freud

"Dee-li-cious!!! Immensely readable, this delectable true-crime story of eighteenth-century forgery, deceit, and ambition casts light on a wide range of socially significant sites, from the credit market to the world of fashion, from the law court to the imperial stage. "The Perreaus and Mrs. Rudd is a tour de force of historical scholarship, and it's an engrossing story as well."--Mary Poovey, author of "A History of the Modern Fact: Problems of Knowledge in the Sciences of Wealth and Society

This is the only book by a criminologist to look at the full range of crime involving works of art: forgery, fraud, theft, smuggling, and vandalism. It is up to date, drawing on much material from the "boom years" of the art market in the 1980s and continuing up through the 1990s, and assimilating ...

This is the only book by a criminologist to look at the full range of crime involving works of art: forgery, fraud, theft, smuggling, and vandalism. It is up to date, drawing on much material from the "boom years" of the art market in the 1980s and continuing up through the 1990s, and assimilating information from a variety of sources: art magazines, newspaper accounts, and the relatively small amount of scholarship on art crime by art historians and criminologists. In addition to considering the motives of thieves, the book looks at the way art theft is socially organized: the types of thefts that are committed, the ways thieves locate art to steal and how they gain access to it, their use of insiders and fronts, and the way they launder stolen art. The relationship between art theft and organized crime, especially drug traffickers, is investigated. After looking at explanations of art vandalism and the way vandals explain their behavior, the book concludes with a consideration of policies tocurb art crime. The entire book is written in a highly entertaining way, packed with case studies of numerous crimes and stories of smuggling, grave-robbing, and skullduggery, that will appeal to a general audience as well as professionals and academics in criminology, sociology, and art history.