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In this compelling interdisciplinary study, Linda Grasso demonstrates that using anger as a mode of analysis and the basis of an aesthetic transforms our understanding of American women's literary history. Exploring how black and white nineteenth-century women writers defined, expressed, and ...

In this compelling interdisciplinary study, Linda Grasso demonstrates that using anger as a mode of analysis and the basis of an aesthetic transforms our understanding of American women's literary history. Exploring how black and white nineteenth-century women writers defined, expressed, and dramatized anger, Grasso reconceptualizes antebellum women's writing and illuminates an unrecognized tradition of discontent in American literature. She maintains that two equally powerful forces shaped this tradition: women's anger at their exclusion from the democratic promise of America, and the cultural prohibition against its public articulation.

Grasso challenges the common notion that nineteenth-century women's writing is confined to domestic themes and shows instead how women channeled their anger into art that addresses complex political issues such as slavery, nation-building, gender arrangements, and race relations. Cutting across racial and genre boundaries, she considers works by Lydia Maria Child, Maria,W. Stewart, Fanny Fern, and Harriet Wilson as superb examples of the artistry of angry expression. Transforming their anger through literary imagination, these writers bequeathed their vision of an alternative America both to their contemporaries and to subsequent generations.

Mary McLeod Bethune was a significant figure in American political history. She devoted her life to advancing equal social, economic, and political rights for blacks. She distinguished herself by creating lasting institutions that trained black women for visible and expanding public leadership ...

Mary McLeod Bethune was a significant figure in American political history. She devoted her life to advancing equal social, economic, and political rights for blacks. She distinguished herself by creating lasting institutions that trained black women for visible and expanding public leadership roles. Few have been as effective in the development of women's leadership for group advancement. Despite her accomplishments, the means, techniques, and actions Bethune employed in fighting for equality have been widely misinterpreted. Mary McLeod Bethune and Black Women's Political Activism shows that the choices Bethune made often appear contradictory, unless one understands that she was a transitional figure with one foot in the nineteenth century and the other in the twentieth. Bethune, who lived from 1875 to 1955, struggled to reconcile her nineteenth-century notions of women's moral superiority and the changing political realities of the twentieth century. She was ahead of her time in her belief in two conceptually distinct levels of activism--one nonconfrontational and designed to slowly undermine systemic racism, the other openly confrontational and designed to challenge the most overt discrimination. Joyce A. Hanson uses a wide range of primary sources and adds a significant dimension to the historical discussion of black women's organizations. The book extends the current debate about black women's political activism and discusses the high school that Bethune founded, which later merged with the Cookman Institute to become Bethune-Cookman College. Mary McLeod Bethune and Black Women's Political Activism is important for understanding the centrality of black women to the political fightfor social, economic, and racial justice.