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Anita Biressi examines the historical origins and development of true crime and its evolution into distinctive contemporary forms. Embracing a range of non-fiction accounts including true crime books and magazines, law and order television, and popular journalism, Biressi traces how they harness and ...

Anita Biressi examines the historical origins and development of true crime and its evolution into distinctive contemporary forms. Embracing a range of non-fiction accounts including true crime books and magazines, law and order television, and popular journalism, Biressi traces how they harness and explore current concerns about law and order, crime and punishment, and personal vulnerability.

One of the most controversial American authors of the twentieth century, Truman Capote is best known as the author of In Cold Blood (1966), a work of literary journalism that recounts the slaughter of the Clutter family in Holcomb, Kansas, in 1959. But he also wrote numerous short stories, dozens of ...

One of the most controversial American authors of the twentieth century, Truman Capote is best known as the author of In Cold Blood (1966), a work of literary journalism that recounts the slaughter of the Clutter family in Holcomb, Kansas, in 1959. But he also wrote numerous short stories, dozens of nonfiction pieces for popular magazines, several other novels, and some works for Hollywood and Broadway. Since his death in 1984, scholarly interest in his writings has grown considerably. This volume traces the critical reception of his works. Included are previously published reviews and essays, along with some pieces written specifically for this book. The volume is divided into several sections on broad topics. Each section is organized chronologically and traces both the development of Capote's talents and the evolution of critical attitudes toward his work. A comprehensive introduction charts the history of Capote's critical reception, and extensive bibliographic material records the present state of scholarship.

Owners of mystery bookshops will tell you that there are several sorts of buyers: those who purchase on impulse or whim; genre addicts who buy paperbacks by the week and by the armful; and those who have caught up on canonical texts and regularly buy new novels by select authors in hardcover ...

Owners of mystery bookshops will tell you that there are several sorts of buyers: those who purchase on impulse or whim; genre addicts who buy paperbacks by the week and by the armful; and those who have caught up on canonical texts and regularly buy new novels by select authors in hardcover. Richard B. Schwartz belongs in the last group, with his own list of approximately seventy favorite writers.

Nice and Noir: Contemporary American Crime Fiction explores the work of these writers, building upon a reading of almost seven hundred novels from the 1980s and 1990s. By looking at recurring themes in these mysteries, Schwartz offers readers new ways to approach the works in relation to contemporary cultural concerns.

With sensitivity to a culture consisting of frontiers and borders, Schwartz examines the position of the vigilante in art and society, racial bridges and divides, the absence of divine presence and compensating narrative strategies, the unresolved nature of the crime plot and its roots in chivalric romance. The special importance of setting, and the growing importance of grotesque humor in the fiction studied here are addressed by the author, as is the journalistic/ instructional dimension of the field and the importance of crossover narratives.

This book is not only a study and appreciation of an important subgenre and its contemporary practitioners, it also utilizes both literary history and theoretical material. Information has been drawn from fanzines, from discussions with writers, booksellers, agents, and editors, and from the author's own extensive knowledge of literature and American culture.

Nice and Noir is wide-ranging but neither ponderous nor lugubrious.Its language is accessible but not simplistic. The book will have a broad appeal -- both to academics and to general readers with some interest in American studies and popular culture.

This interdisciplinary study of legal and literary narratives argues that the novel's particular power to represent the interior life of its characters both challenges the law's definitions of criminal responsibility and reaffirms them. By means of connecting major novelists with prominent jurists ...

This interdisciplinary study of legal and literary narratives argues that the novel's particular power to represent the interior life of its characters both challenges the law's definitions of criminal responsibility and reaffirms them. By means of connecting major novelists with prominent jurists and legal historians of the era, it offers profound new ways of thinking about the Victorian period.