Your search for: characteristics AND women AND serial AND killers

While the short, lethal careers of serial killers such as Jeffrey Dahmer and Andrew Cunanan terrorize the public and provide morbid inspiration for the entertainment industry, few people realize that it is the female serial killer, seldom heard of, who deserves most to be feared. Murder Most Rare ...

While the short, lethal careers of serial killers such as Jeffrey Dahmer and Andrew Cunanan terrorize the public and provide morbid inspiration for the entertainment industry, few people realize that it is the female serial killer, seldom heard of, who deserves most to be feared. Murder Most Rare provides startling information about the female serial murderer, who is shown to be far more deadly and determined, difficult to apprehend, and complexly motivated than her male counterpart. While serial murder by women is relatively rare, a surprising number of female serial killers are identified by the authors, nearly 100 in this century, with half of them having committed their crimes in America. By examining these women's backgrounds, motives and methods of killing, the book sheds new light on dozens of overlooked cases of murder and uncovers callous crimes and passions gone awry.

More suspenseful than a detective thriller, Profiles in Murder packs a punch that few novels deliver -- and this book is all true.t FBI legend Russ Vorpagel, along with Robert Ressler, helped put the FBI Behavioral Science Profiling Unit on the map, as immortalized in The Silence of the Lambs.

Here ...

More suspenseful than a detective thriller, Profiles in Murder packs a punch that few novels deliver -- and this book is all true.t FBI legend Russ Vorpagel, along with Robert Ressler, helped put the FBI Behavioral Science Profiling Unit on the map, as immortalized in The Silence of the Lambs.

Here in this thrilling book, he reveals the inside story on how psychological profiling and old-fashioned detective work helped crack cases of serial killings, sex crimes, celebrity murders, hostage taking, terrorist crimes, and police cover-ups. Vorpagel -- the hard-boiled detective, yet disarmingly engaging guide -- takes us back in time to the actual scenes of the crime. His infectious enthusiasm not only inspires us to adopt his brilliant detective mindset and sleight of hand logic, but draws us in to experience the unbridled euphoria of solving the crime. This master detective skillfully transports us to the dramatic scenes leading up to each of these grisly crimes, subtly dropping clues, as he finetunes our own sense of detective logic.

Philip L. Simpson provides an original and broad overview of the evolving serial killer genre in the two media most responsible for its popularity: literature and cinema of the 1980s and 1990s.

The fictional serial killer, with a motiveless, highly individualized modus operandi, is the latest ...

Philip L. Simpson provides an original and broad overview of the evolving serial killer genre in the two media most responsible for its popularity: literature and cinema of the 1980s and 1990s.

The fictional serial killer, with a motiveless, highly individualized modus operandi, is the latest manifestation of the multiple murderers and homicidal maniacs that haunt American literature and, particularly, visual media such as cinema and television. Simpson theorizes that the serial killer genre results from a combination of earlier genre depictions of multiple murderers, inherited Gothic storytelling conventions, and threatening folkloric figures reworked over the years into a contemporary mythology of violence. Updated and repackaged for mass consumption, the Gothic villains, the monsters, the vampires, and the werewolves of the past have evolved into the fictional serial killer, who clearly reflects American cultural anxieties at the start of the twenty-first century.

Citing numerous sources, Simpson argues that serial killers' recent popularity as genre monsters owes much to their pliability to any number of authorial ideological agendas from both the left and the right ends of the political spectrum. Serial killers in fiction are a kind of debased and traumatized visionaries, whose murders privately and publicly reempower them with a pseudo-divine aura in the contemporary political moment. The current fascination with serial killer narratives can thus be explained as the latest manifestation of the ongoing human fascination with tales of gruesome murders and mythic villains finding a receptive audience in a nation galvanized by the increasingly apocalyptic tension between theextremist philosophies of both the New Right and the anti-New Right.

Faced with a blizzard of works of varying quality dealing with the serial killer, Simpson has ruled out the catalog approach in this study in favor of an in-d