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The Concise Oxford Dictionary of Art and Artists, Second Edition is an authoritative and up-to-date guide to Western art from Ancient Greece to the present day. It offers over two thousand entries on painting, sculpture, and the graphic arts, covering not only artists and their work, but also ...

The Concise Oxford Dictionary of Art and Artists, Second Edition is an authoritative and up-to-date guide to Western art from Ancient Greece to the present day. It offers over two thousand entries on painting, sculpture, and the graphic arts, covering not only artists and their work, but also patrons and dealers, collectors and writers, materials and techniques, and museums and galleries. For this new edition much new material has been added on twentieth-century art, including subjects such as Neo-Expressionism and the Turner Prize. Written in clear, lively prose, this invaluable reference maintains a careful balance between fact and appraisal. In its pages, we encounter artists ranging from Polyclitus of Argos to Leonardo da Vinci, from Grandma Moses to Mary Cassatt, from Max Beckmann to Andy Warhol. Here also are periods and movements, including the Classical period, the Renaissance, the Ancients, Impressionism, the Ash-can School, and Cubism, as well as techniques and styles such as encaustic painting, encarnado, lithography, cabinet painting, and blot drawing. For this abridgement, Ian Chilvers has retained all of the essential features of the original while adding new entries and eliminating the more peripheral articles. By presenting the information in a pithier format, he is able to focus more sharply on Western and Western-inspired art. The dictionary also provides a very helpful cross-referencing system for names, art media, styles, and terms. Art enthusiasts of every kind will find this entirely reliable and highly readable volume indispensable.

Disney's animated trailblazing, Dostoyevsky's philosophical neuroses, Hendrix's electric haze, Hitchcock's masterful manipulation, Frida Kahlo's scarifying portraits, Van Gogh's vigorous color, and Virginia Woolf's modern feminism: this multicultural reference tool examines 200 artists, writers, and ...

Disney's animated trailblazing, Dostoyevsky's philosophical neuroses, Hendrix's electric haze, Hitchcock's masterful manipulation, Frida Kahlo's scarifying portraits, Van Gogh's vigorous color, and Virginia Woolf's modern feminism: this multicultural reference tool examines 200 artists, writers, and musicians from around the world. Detailed biographical essays place them in a broad historical context, showing how their luminous achievements influenced and guided contemporary and future generations, shaped the internal and external perceptions of their craft, and met the sensibilities of their audience.

Performance artist Linda Montano, curious about the influence childhood experience has on adult work, invited other performance artists to consider how early events associated with sex, food, money/fame, or death/ritual resurfaced in their later work. The result is an original and compelling talking ...

Performance artist Linda Montano, curious about the influence childhood experience has on adult work, invited other performance artists to consider how early events associated with sex, food, money/fame, or death/ritual resurfaced in their later work. The result is an original and compelling talking performance that documents the production of art in an important and often misunderstood community.

Among the more than 100 artists Montano interviewed from 1979 to 1989 were John Cage, Suzanne Lacy, Faith Ringgold, Dick Higgins, Annie Sprinkle, Allan Kaprow, Meredith Monk, Eric Bogosian, Adrian Piper, Karen Finley, and Kim Jones. Her discussions with them focused on the relationship between art and life, history and memory, the individual and society, and the potential for individual and social change. The interviews highlight complex issues in performance art, including the role of identity in performer-audience relationships and art as an exploration of everyday conventions rather than a demonstration of virtuosity.

Critical essays on 20th-century female artists of color focus on how these distinguised artists achieved success, what makes their work important--both to the art world and to their specific communities--and what influences their work is likely to have in the future. The artists are representative ...

Critical essays on 20th-century female artists of color focus on how these distinguised artists achieved success, what makes their work important--both to the art world and to their specific communities--and what influences their work is likely to have in the future. The artists are representative of four ethnic groups: African American, Asian Pacific American, Latin American, and Native American. Parallels drawn explore the similarities and differences among the artists. The early feminist art movement of the 1970s concentrated on gender with less consideration given to race or class, yet to many artists of color, ethnicity factors significantly into the shaping of their identities and to the content of their art. Women artists of color have expanded the scope of protest art, fusing the past and current history with gender and race and deconstructing stereotypical mainstream representations of their gender and ethnic identities. This presentation of artists balances older and deceased artists with the younger, emerging artists. The artistic mediums span the gamut from traditional painting and sculpture to newer forms such as video, conceptual, and performance art.